What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
Having a respectable career photographing social, political and economical matters, Philip Wolmuth is capable of starting a dialogue with the public via his thought-provoking photographs.
Going through the collective of images on his latest work, it seems impossible not to be instantly affected by the rawness of the emotions captured within the images. The passion, the anger, the commotion, the rebellion, the fervor, the shouting, the devotion; his work is inebriating. It's as if the images are screaming at you and, for a short while, you are transported to the Speakers' Corner without actually setting foot on that location.
Calling the Sprocket Rocket as Peter Atwood's go-to camera would be an understatement. He owns half a dozen of it that he simultaneously shoots with different films. He even considers the Sprocket Rocket as his dream machine. Let's hear what clickiemcpete has to say about this camera in this installment of Weapon of Choice!
Chris Goodacre has been shooting on film since the late 1970s. At the same time, he also took interest in building an artillery of analog weapons. In this interview, he shares an extensive list of his collection and the fantastic story that come with each of his cameras.
Branded as "The Reanimated Film," KONO! Film is hand-rolled and made of special materials which are rarely (or never) produced for "normal“ photography. Rather, the materials were intended for the motion picture industry and the results can vary depending on how the film is used. Learn more in this interview with the founder of KONO! Film, Uwe Mimoun.