For my first DIY redscale attempt, I wanted something faster so I settled on a Lomography CN 800. Look at how my photographs turned out.
I have never shot with a redscaled film before. Probably it’s because most readily-available redscale films out there come in slower speeds and I really don’t like the very strong red hues on photographs. I decided to just redscale a fast film on my own so I can still get some blues while overexposing it by two stops. The film I chose for my first DIY project is the Lomography CN 800 35mm film, which costs $11.90 for a pack of three.
Truth be told, I never intended to redscale the film when I bought it. I got it primarily for my new LC-Wide because I wanted a film that’s fast enough to shoot indoor photographs with. But there I found myself locked in a dark bathroom, feeding an entire roll of Lomo CN 800 into an empty canister.
I was able to fit 31 photographs in the roll. I shot all of the frames and dropped it off the lab for processing. When I got it back, my mind was blown!
I shot my photographs at 200 ISO so I got red and blue hues. Check out some of the photographs that I took.
I definitely recommend this film to anyone who wants to try making his own redscale film for the first time. If you shoot it at 400 ISO, you’ll get strong red hues. Shoot it at 200 ISO and you’ll get surprising reds and blues!
The Lomography Color Negative 35mm 800 ISO film is a high-speed film designed to bring a burst of vibrant colour, as well as great saturation and contrast, in all lighting conditions! Shoot in bright sunshine, grey days, indoors or at night with a flash. See our selection of Lomography films here.
A weekend without a lomowalk seems bad, at least for me. One Saturday morning, I decided to join my friends in their lomowalk. It was all cloudy at first but it didn't stop me from going out and walking. I brought my new Nikon FM2 and some expired rolls, just to test my camera. Was it just me being sleepy, or was my Nikon FM2 acting up? My photos turned out grainy, pale, and, in my opinion, looking so 1990s?
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
While I was browsing through my first photo album, I came across a series of photos taken in 1981 during a beach holiday at the French coastal village of St. Gilles Croix de Vie in Vendee. I took these photographs with my first camera that I received for my 11th birthday. Have a look!
At the beginning of November, I went to Madrid for the first time. I wanted to bring back home unique memories and photographs of what I was going to discover in the Spanish capital, so I brought the Petzval Lens with me to capture this trip within a beautiful swirling bokeh.
This article is a tribute to the photojournalist Bernard Cahier, the greatest Formula 1 photographer known as the "Cartier-Bresson of Motor Racing" for his great ability in capturing the right moment. Here, I'll feature a series of photos that I took at the Monza Grand Prix with a timeless black and white film! Take a look after the jump!
Here are some self portraits that I took using my Lubitel 2 and a roll of expired film. I used old chemicals, an incorrect ratio, and I under fixed the film during development and washed it in boiling hot water. See how it all turned out.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
A year ago I tore the ACL (anterior cruciate ligament) in my left knee. Six months ago, I had an operation. For the half-year anniversary I wanted to do something special, so I did. I climbed the highest Slovenian mountain.
I have been using the Diana extensively for the past two years. It was actually the camera that got my into film photography (something that I am so grateful for). So I have compiled a list of Diana tips for y’all…
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Are you in need of a holiday? Then we have something spectacular for you from the Shift School of Photography and Lomography. With your photos you can win a four-day trip to Paris for a long weekend full of photography including a giant Lomography package! We want to see your best work displaying your travel destinations so we know that you can turn a weekend getaway into an artistic and educational trip!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!