Dve legendy svetového popu spojili sily...a umyli riady!
Tento jedinečný záber Jacksona a McCartneyho vznikol v roku 1983. Tieto legendy spolupracovali na pesničkách “Say Say Say” a “The Man”, ktoré boli na McCartneyho albume “Pipes of Peace” vydanom v 31. októbra toho roku. Predtým už spolupracovali na pesničke “The Girl is Mine” ktorá bola Jacksonovom albume z 1982 “Thriller.”
He will respectfully ask for a photo session. He does not outline why, and if you are shy, you will wonder what he has seen in you. He greets reluctance with understanding and a resounding yes with an equal amount of enthusiasm. When the day comes, he will treat you like a collaborator. And whenever he talks about the outcome—comely photos of what looks like your most confident self—he will always call you a muse.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
The name Michael McNelis might not ring a bell, but his photograph taken by one of the leading sociological photographers of the 20th century is a sobering look at the lamentable conditions that working children faced several decades ago.
Gloucestershire-based photographer Michael Sullivan loves to shoot film. Recently Michael shot with the Lomo LC-A 120 loaded with color negative and Lomography Xpro Slide Film, and the results were quite fabulous. Meet the man behind the camera here.
Paul White is a South East London-based hip-hop producer with tons of energy and a penchant for film photography. He recently released his fifth album on the mighty R&S label. We decided to arm him with a Sprocket Rocket to shoot his adventures with. Read the full interview and see his images here.
Paul Del Rosario is a photographer who has been based in Japan for 24 years. Finding beauty in messy Tokyo streets , he captures the chaotic scenes in black and white. He also manages 120 love, a fashion and lifestyle brand that integrates film photography into popular urban street culture.
The characters in Argus Paul Estabrook's work in paper cutting are the stuff nightmares are made of: unusual forms, jagged edges, arms outstretched as if seeking salvation—all emphasized further by the plain white background on which they are placed. Combined, these details paint a picture straight out of Dante Alighieri's "Divine Comedy."
How We Used to Live is a beautiful film by Paul Kelly using archive footage of London from the 1950's right up to the 1980's. It's a fascinating analogue film with a great soundtrack from St Etienne. Read on for more information.
A talented multi-faceted artist, Argus Paul Estabrook draws inspiration from many different things and creates art by bridging his interest in poetry with other forms of media. In this interview, we pick his brain to discover what makes him tick, his inspirations, and artistic insights, among others.