A Chicago-based photographer raises a question about man's connection with his natural resources through a series of distorted images made by burning exposed film. Learn more about his extreme film destroying methods for this series after the jump!
Driven by the theme of “water and oil,” Chicago photographer Peter Hoffman started a photo series called Fox River Derivatives in response to the BP Oil Spill in the Gulf of Mexico in 2010. For this project, Hoffman took medium format photos along the Fox River then utilized a method that may be deemed extreme even by our film-destroying fellow lomographers: he coated the negatives with gasoline then set them on fire for some seconds before dousing them with water.
Why such an intense method — something which he himself described as a trial and error process but mostly error — for this project? Hoffman explains to Feature Shoot, “I wanted to transfer that feeling I had, which was maybe something like a sense of powerlessness or dread, to the image making process. I wanted to lose control, having the resulting work border on ceasing to exist in any recognizable form.”
This August, we bring you back to your roots and explore the wonders of nature! First, we cook up a storm with a film soup experiment. Followed by nature photowalks at beautiful scenic parks in Singapore to unearth the tips & tricks of trouble exposure, as well as the unique methods to perfect our macro shots. To cap off the learning month, we'll gather on a cozy Friday night for a new special sharing series by the Lomography Community -- with Sharing Session #1: Nature.
By now most of you would have heard of Lomokev, one of the UK's most prolific film photographers. Based in Brighton, Lomokev loves to shoot with the trusty LC-A and his work has been featured in numerous publications and projects. We lent him a Petzval lens and asked him a few questions about what makes him tick. Here's an exclusive interview, along with a several fantastic shots by the talented UK-based photographer.
Far from the romanticized images we see on television, kitchens are marred by a mesh of savage industrial hardware, organic flesh and bones, and the souls that inhabit it, as photographer Mike Kumagai discovered. His series exposes some of the notions we carry of kitchens and cooking in the only medium befitting of the task: 35mm film.
From the simple Vivitar 110 camera he received from his grandmother, Brett Wolff already accumulated close to almost a hundred cameras and accessories in his analog arsenal. Some of the cameras he treasured were even handed down by relatives and friends, making these more precious to him. Let's take a closer look at his camera collection.
Elvis Halilović turns chestnut wood into heirloom-worthy cameras known as Ondu. As a countdown to Pinhole Photography Day happening tomorrow, we show you how these pieces are shaped, sanded and assembled. All this effort for the love of a good picture!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
The lives of artists are sometimes as phenomenally interesting as their work. Admirers even go as far as emulating their creative process, style and philosophies. Photographs of actors, writers and musicians in their element make this idolatry even more vivid.
The works of seven contemporary artists—all outcomes of various alternative photographic processes—are the subjects of the "Light, Paper, Process: Reinventing Photography" exhibit at The J. Paul Getty Museum.
Tomorrow, April 26, marks World Pinhole Photography Day, and what better way to celebrate the occasion by taking your favorite pinhole camera out on an analog adventure? Or if you don't have one yet, you can make one yourself from scratch! Here are five innovative Tipsters from the community for you to peruse.