A Chicago-based photographer raises a question about man's connection with his natural resources through a series of distorted images made by burning exposed film. Learn more about his extreme film destroying methods for this series after the jump!
Driven by the theme of “water and oil,” Chicago photographer Peter Hoffman started a photo series called Fox River Derivatives in response to the BP Oil Spill in the Gulf of Mexico in 2010. For this project, Hoffman took medium format photos along the Fox River then utilized a method that may be deemed extreme even by our film-destroying fellow lomographers: he coated the negatives with gasoline then set them on fire for some seconds before dousing them with water.
Why such an intense method — something which he himself described as a trial and error process but mostly error — for this project? Hoffman explains to Feature Shoot, “I wanted to transfer that feeling I had, which was maybe something like a sense of powerlessness or dread, to the image making process. I wanted to lose control, having the resulting work border on ceasing to exist in any recognizable form.”
This August, we bring you back to your roots and explore the wonders of nature! First, we cook up a storm with a film soup experiment. Followed by nature photowalks at beautiful scenic parks in Singapore to unearth the tips & tricks of trouble exposure, as well as the unique methods to perfect our macro shots. To cap off the learning month, we'll gather on a cozy Friday night for a new special sharing series by the Lomography Community -- with Sharing Session #1: Nature.
Far from the romanticized images we see on television, kitchens are marred by a mesh of savage industrial hardware, organic flesh and bones, and the souls that inhabit it, as photographer Mike Kumagai discovered. His series exposes some of the notions we carry of kitchens and cooking in the only medium befitting of the task: 35mm film.
Like a quick-changing siren, a sunset has fantastic showmanship. It may come in a costume of luminous yellow one day, and a daring paint canvas the next. And of its various looks, five have been getting the loudest applause from all over the community.
Mysterious apparitions and other inexplicable phenomena on film, or generally speaking, for that matter, are as highly debated topics today as they were many decades ago. In 1934, a certain Mr. C.P. MacCarthy of 15 Wilkinson Street, Sheffield held a lecture at 76 Clarkehouse Road located in the same city to "demonstrate under test conditions Fake Psychic Photography" before an invited committee. MacCarthy's demonstration was accompanied by a series of photographs titled "Psychic Photography From a New Angle."
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Hot off an online collaboration with acclaimed rock band R.E.M., (now extendend) Lomography NYC is excited to host a screening of 'R.E.M. by MTV.' Celebrating 35 years of music greatness, we'll be spinning REM classics on vinyl before screening the much anticipated film. Join us on July 28th for an evening of sweet tunes and summer refreshments. Come in at 6 p.m. for refreshments, and screening begins at 7 p.m. FREE!
Duncan Frazier and Stephen McGuigan are focused on creating niche technology that inspires. Founders of Bitbanger Labs, a Brooklyn-based outlet for their ideas, the two friends developed a revolutionary light painting device — Pixelstick. We talked to them to find out more about their work and about this unique and beautiful way to take photos!