My favourite camera to use with a cross-processed Agfa CT Precisa is the Lomo LC-A. For a long time, I have wanted to test my color filters---which I usually use with normal color film---on a slide film for x-pro. Finally I have done it and I'm in love with the results.
All you need is a red color transparency and a camera. My transparency is from the colour filter set by LEE, with which I’ve already transformed some color photos.
I simply taped the transparency on my LC-A and set the camera to ISO 50 instead of 100.
If I want to take pictures without the red transparency, I simply stick it on the back of the camera for storage.
For the the next roll of film, I will try a few other color transparencies. I’m curious about what will come out. And I’m so in love with the results, I doubt if anything can beat these!
See for yourself.
I think the colors are reminiscent of films by Fuji or even of Redscale, but quite different. So, try it out!
With the right composition and the perfect subject, cross processing the Agfa CT Precisa guarantees spectacular, awe-inspiring results. From the delicate and scenic to the intimate and mundane, here are some views captured on cross-processed Agfa CT Precisa slide film.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
I like to make and use masks with my Lomo'Instant camera, but sometimes they are too dominant. In coming up with more subtle masks, I found several that produced an interesting, distressed look, especially when paired with the camera flash and color gel strips. They're especially good for creating Halloween-themed photos.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.