In the pilot telecast of the fourth season of “The Walking Dead” aired last week, we saw Glenn Rhee pick up a Diana F+ while doing runs at a grocery store with his group. This week, we discover that what he got apparently was the Diana F+ Instant Camera!
In the second episode, we see Glenn (Steven Yeun) taking a much-needed break from slaying zombies by taking snapshots of his beloved girlfriend Maggie Greene (Lauren Cohan).
An instant camera seemed a wise choice during a zombie apocalypse, don’t you think, since shops that develop film will all have already closed up by then!
The Diana F+ is a new twist on the ‘60s classic cult camera. Famous for its dreamy and soft-focused images, the Diana F+ is now packed with extra features such as panorama and pinhole capabilities. Available in our Online Shop.
Branded as "The Reanimated Film," KONO! Film is hand-rolled and made of special materials which are rarely (or never) produced for "normal“ photography. Rather, the materials were intended for the motion picture industry and the results can vary depending on how the film is used. Learn more in this interview with the founder of KONO! Film, Uwe Mimoun.
Mel Brackstone introduced herself as an "old woman with a love of the surreal." Her energy is palpable; with the soft delicacy in her photos, she comes across as an old soul that sees through young eyes. She is self taught and lives in Brisbane, Queensland, Australia, She discovered the Petzval Lens in 2014.
Whether it embodies something that's light as a feather or dreaming on cloud nine, show us your best analog shots in relation to the theme "lightness" and be rewarded with great products from the creative start-up Crispy Wallet as well as prizes from Lomography.
On the last Saturday of July, the old district of Borgo Vico hosted an art and music festival. There was also a graffiti contest, and the winner will exhibit his work at the Como Business Center for Expo 2015. I used my Zorki 4 loaded with an Ilford FP4+ film to document the event. I focused on the young artists who, amid the swirl of activity, had to concentrate on their large-scale pieces.
In the early part of the 19th century, lantern shows were the equivalent of movies. Photographs were hand-printed or transferred on glass plates, which were then projected on to a wall or cloth screen.