35mm -- that's the film format we usually acquaint ourselves with first. It's an easy-go-to for film photography beginners, it's usual, it's convenient.
120mm and 110mm film usually comes in the mid-part of our film photography journey. It’s when we are curiouser and more eager to discover and try new things. But for LomoHome stephanplynch, diving into the 110mm craze is what made him fully join the wonderful world of analogue.
It’s his first Lomo Affair and he’s here to tell us all about it!
Name:Stephan Lynch LomoHome:stephanplynch Location: Perth, Australia
My first Lomo affair started when I purchased a Fisheye Baby 110 in Perth in Australia for my trip to Canada/ USA during late 2012. Together we explored and captured the beautiful sites of Toronto, Montreal, Niagara Falls, New York, and Orlando. It was my only photographic companion when I had the unfortunate yet memorable experience of being trapped in NYC as a result of Hurricane Sandy.
The loss of power in Lower Manhattan meant my digital devices (camera, tablet, and mobile) had little to no juice left to capture the events but my ‘isheye Baby’kept pushing along. The camera has now since been retired to my box of souvenirs from the trip and i have now upgraded to its big brother which is the Fisheye No. 2!
It’s sad to know that his Fisheye Baby 110 decided to resign but tears no more for it sure was a great ride! Thanks for sharing your one of a kind story, Stephan. And until our next My Lomo Affair!
In this installment of My First Lomo Affair, artist and photographer Courtney Christiansen, known in the community as cmart, recalls his first adventure with the Oktomat and how it encouraged him to stretch the limits of his creativity and embrace the experimental aspect of film photography.
Joan Manel Cedó is an avid fan of extreme sports. He has been a rock climber for two decades and has also gained interest in kitesurfing over the years. In both sports, he tries to incorporate his passion for photography. In this instalment of My First Lomo Affair, he talks about how he chance upon the carefree style of shooting with the LC-A+ and all the adventures that followed this discovery.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!
Get the perfect self-portraits or group photos with your friends with this instant camera! This camera allows you to be picture ready with its mirror next to the lens and gives you an idea where is best to smile!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
It was our great pleasure to chat with the CEO of Ondu Pinhole Cameras, Elvis Halilović, about his interest in pinhole photography as well as the formation of his company that produces handcrafted pinhole cameras. We found his answers fascinating and we think you will too. Thanks Elvis for being so generous in sharing your story and cameras with us!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Robin Rimbaud is a UK based artist, record producer, and composer who works under the name "Scanner" in reference to his use of mobile phone signals and police scanners in his early performances. He has worked on soundtracks for films, sound installations, radio, dance and theater. Robin also has a passion for medium format photography, owns a Holga camera and has a unique photographic style. Get to know him in this interview, where he talks about his personal work as well as his experience with the Lomo LC-A 120.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!