35mm -- that's the film format we usually acquaint ourselves with first. It's an easy-go-to for film photography beginners, it's usual, it's convenient.
120mm and 110mm film usually comes in the mid-part of our film photography journey. It’s when we are curiouser and more eager to discover and try new things. But for LomoHome stephanplynch, diving into the 110mm craze is what made him fully join the wonderful world of analogue.
It’s his first Lomo Affair and he’s here to tell us all about it!
Name:Stephan Lynch LomoHome:stephanplynch Location: Perth, Australia
My first Lomo affair started when I purchased a Fisheye Baby 110 in Perth in Australia for my trip to Canada/ USA during late 2012. Together we explored and captured the beautiful sites of Toronto, Montreal, Niagara Falls, New York, and Orlando. It was my only photographic companion when I had the unfortunate yet memorable experience of being trapped in NYC as a result of Hurricane Sandy.
The loss of power in Lower Manhattan meant my digital devices (camera, tablet, and mobile) had little to no juice left to capture the events but my ‘isheye Baby’kept pushing along. The camera has now since been retired to my box of souvenirs from the trip and i have now upgraded to its big brother which is the Fisheye No. 2!
It’s sad to know that his Fisheye Baby 110 decided to resign but tears no more for it sure was a great ride! Thanks for sharing your one of a kind story, Stephan. And until our next My Lomo Affair!
In this installment of My First Lomo Affair, artist and photographer Courtney Christiansen, known in the community as cmart, recalls his first adventure with the Oktomat and how it encouraged him to stretch the limits of his creativity and embrace the experimental aspect of film photography.
Joan Manel Cedó is an avid fan of extreme sports. He has been a rock climber for two decades and has also gained interest in kitesurfing over the years. In both sports, he tries to incorporate his passion for photography. In this instalment of My First Lomo Affair, he talks about how he chance upon the carefree style of shooting with the LC-A+ and all the adventures that followed this discovery.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
It was our great pleasure to chat with the CEO of Ondu Pinhole Cameras, Elvis Halilović, about his interest in pinhole photography as well as the formation of his company that produces handcrafted pinhole cameras. We found his answers fascinating and we think you will too. Thanks Elvis for being so generous in sharing your story and cameras with us!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
We are very excited to present you with our new film, Lomography LomoChrome Turquoise XR 100-400! This emulsion develops in C-41 in 35mm and 120 formats. Limited stock of 5,000 rolls for pre-order are available, so reserve your rolls now; delivery of first stock estimated for April 2015.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
I’m lucky enough and old enough to have grown up in an era where film was the only form of photography available. I’ve always had a passion for film but it was a certain series of images that inspired me and changed my idea of photography forever. Find out what that was after the jump.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!