I can’t imagine how Colonel Sanders could have ended in the same photograph---or even in the same room---with Alice Cooper.
If Colonel Harland David Sanders was still alive today, he would have been 123 years old. His legacy has outlived his mortality. Not surprisingly, more than three decades after his demise, his finger-lickin’ recipe still satisfies us worldwide.
What surprises me is this photo. How could the man who made chicken famous be in the same photograph with a heavy metal rocker who became identified with using guillotines, electric chairs, fake blood, and boa constrictors? Judging from the look on the Colonel’s face however, he was as perplexed as we all are.
Alice, on the other hand, was really steady, and took a sip to prove it.
Like these random vintage and/or pop culture photos? See more articles from the Overly Descriptive Title series in the Lomography Magazine!
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
Take a look at this beautiful hodgepodge of edgy photographs captured with the Revolog films! While you're at it, find out how you can earn piggies and have your own photographs be featured on the Online Shop.
Have a look at our handpicked selection of lovely photographs shot in low light and at night with the Lomography Color Negative 800 ISO for 35mm cameras. While you're at it, find out how you can earn piggies and have your own photos be featured on the Online Shop!
Have a look at these bright and beautiful medium format photographs from the community shot with the Lomography Color Negative 400 for 120 cameras. While you're at it, find out how you can earn piggies and have your own CN 400 (120) snaps be featured on the Online Shop!
For this week's selection, we put the spotlight on the lovely silhouettes captured by our community members with their Diana F+ cameras. Have a look and, while you're at it, learn how you can earn piggies and have your own photos be featured on the Online Shop!
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
Marvel at this week's handpicked selection of beautiful landscape photographs captured by our community members with the Efke IR820 for 35mm cameras. While you're at it, find out how you can earn piggies and have your own photos be featured on the Online Shop!
In 2009, Neil Krug uploaded a commercial for Pulp Art Book on Youtube. In the comments section someone asked, “Does anyone know what kind of camera he uses or how he gets his pictures to look the way they do?” Krug was on to something. He did something wildly intriguing, one that looked to have a secret formula.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
As part of the Valentine's Day Deal, you can grab this wonderful fluorescent pink plastic camera at a discounted price! Take seductive, soft-focused shots and pulsating vignettes on 120 film this season!
A self-portrait may take root in confidence, extreme shyness or alternate bouts of each. Leanne Surfleet goes through this kind of fluctuation when the camera is all eyes. The attraction—as far as we’re concerned—is the mix of uncertainty and a kind of quiet poise. And here and there, a flash of skin that is more a mystery than full-on revelation. Even Surfleet’s portraits of other people have the same hushed invite, as if to say questions are encouraged. There we took our cue.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.