One of the cameras coveted by medium format fans is the Asahi Pentax 6x7 introduced in 1969, with upgraded versions later renamed Pentax 67. Find out more about this beautiful medium format SLR camera in this installment of Lomopedia!
The original Asahi Pentax 6×7 was introduced in 1969, said to have been inspired by the East German 6×5 KW Praktisix released in 1957, and its successor, the Pentacon Six introduced in 1959. It looks like a traditional 35mm SLR camera, only noticeably bigger and heavier (weighs 2.3 kilograms when equipped with the plain prism and standard lens), making some photographers refer to it as a “Super SLR.” It takes 120 films which yield 10 exposures, and 220 films which yield 20 exposures. It has its own dual bayonet lens mount which accommodates a wide range of interchangeable Takumar lenses.
An upgraded version that came with a mirror-up mechanism was introduced in 1976 (Pentax 6×7 MU), and improved versions named Pentax 67 and 67II were released in 1990 and 1999 respectively.
Type: Ideal-format single-lens reflex
Film & picture size: 120 roll-film (10 exposures); 220 roll-film (20 exposures); 55mm x 70mm (2-1/4″ × 2-3/4")
Standard Lens: Super-Multi-Coated Takumar/6×7 105mm f/2.4; 6 elements; fully-automatic diaphragm; 67mm filter size; minimum focusing distance of 1 meter (3.3 feet)
Shutter: Electronically-timed, double-curtain focal-plane shutter; X, B, 1 to 1/1000 sec; powered with a 6V silver oxide battery (Eveready #544 or Mallory PX28)
Reflex mirror: Swing-back-and-up type instant return mirror
Lens mount: Two coaxial bayonet mounts; inner bayonet for lenses from 35mm to 300mm, and outer bayonet for lenses from 400mm to 1000mm.
Flash synchronization: FP and X terminals; electronic flash synchronization at 1/30 sec.
Standard viewfinder: Detachable pentaprism housing with interchangeable eyepiece
Dimensions: 184mm (width) x 149mm (height) x 156mm (depth) with standard lens
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form on Amazon.com. In this article, Healy shares two recent photo outings where she used 35mm and medium format films.
Having the distinction of being the world's first 6x12 auto-exposure medium format camera, the Belair X 6-12 combines professional grade photography with ease of use. In this week's installment, we list down a few ways you can improve your photography with it.
Perhaps you already know this young and beautiful woman? Yes, you’re right: she was one of our previous LomoAmigos! This time around, Diane Sagnier tried the Petzval Art Lens with her analog Nikon camera. Let’s find out more about her work in this exclusive interview!
Robin Rimbaud is a UK based artist, record producer, and composer who works under the name "Scanner" in reference to his use of mobile phone signals and police scanners in his early performances. He has worked on soundtracks for films, sound installations, radio, dance and theater. Robin also has a passion for medium format photography, owns a Holga camera and has a unique photographic style. Get to know him in this interview, where he talks about his personal work as well as his experience with the Lomo LC-A 120.
Having a Belair X 6-12 feels like owning more than just one camera. It's a medium-format camera, but paired with its special accessories you can shoot 35mm or instant photos with it, too! The versatility of its 3 photo formats also offers more options to suit your shooting needs. Here, we present to you some of the most gorgeous Belair X 6-12 photos in classic 6x6 format. Enjoy!
Think the Belair X 6-12 medium-format camera is only limited to snapping square shots? Nope! It also gives you the option to shoot other photo formats, such as 6x12. We compiled some of the most impressive photos in this format for your inspiration!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
For Angela, anyone who wants to take a plunge into medium format photography should consider starting with a Yashica A. In this interview, she expounds more on what she loves about this TLR and why its the perfect gear for beginners.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Looking for a dependable camera for street photography? For Agathe, or theblues in the community, the Konica C35 Automatic rangefinder is the perfect companion for her daily photowalk in Paris. Find out why in this installment of Weapon of Choice!
For Crow, his LC-Wide, which he fondly calls Elsie, is the perfect camera for his "Don't think, just shoot" attitude. He takes it wherever he goes and even uses the camera to teach his daughter about photography. In this interview, he shares more about his love for the LC-Wide plus some of the photographs taken by his young apprentice.
Emily Soto is an accomplished fashion photographer based in New York City. Soto is known for her unique style and professional aptitude and she is one of the top names requested by fashion editors. Soto shot a series of photographs with the Petzval Lens. Let’s find out more through this exclusive interview and view her beautiful series!