The long wait was definitely worth it! The brand new film arrived week ago and now after shooting two rolls of it I can give you my opinion.
I pre-ordered 5 rolls of 35mm film and now I regret that I didn’t order some more. The sample pictures looked great and so does my results. The package is pretty awful with reflective silver that doesn’t match the purple box. But who cares about packaging when the product inside is awesome.
I’ll start by commenting on the colours. As I was scanning my first film, I was surprised how much blue tones I was getting, then I began to see lots of green. I didn’t see any purple and I thought that my film was broken, but as I continued scanning the purple started to show up. Those three colours together make really fantastic dream like worlds. I noticed that the red colour isn’t affected by this film; it just stays red no matter what. The sharpness of this film is great and I didn’t find it to be grainy. It’s all good!
The weird thing was that the colours are pretty different comparing films shot with two different cameras. Film from Diana Mini showed lot less purple than film from Sprocket Rocket. I developed both films in a same batch and scanned with the same scanner so I suspect that it is the lens that makes the difference. I definitely like the colours from the Sprocket Rocket better, those shots are amazing!
After 6 months waiting, my expectations were high and the film met them perfectly. I hope that Lomography can make the next batch soon so I’ll be able to get some more of this wonderful film. I’m going to save for something special with my last three rolls.
In New York City, winter has been harsh and long, the nights long and cold, and shooting outside is not fun anymore. So when the Lomo'Instant Boston Edition hit the shelves this week and the new Splitzer arrived at the Lomography Gallery Store New York, we decided to do a round of light painting portraits instead of sunny ones.
The LomoChrome Purple is easily one of the coolest films to come out in a very long time. The amazing colors and vibe it gives each shot and its wide range of exposures make it a must-have and must-shoot film. Here are some cool ways to help you get the most out of your LCP.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Pssst, have you heard the latest? We're unveiling a brand new product very soon, and while we can't give you any strong clues right now, we hope that you can still try to guess what it is. In honor of this mystery product, we'd like to reiterate why Lomography's 10 Golden Rules is perfectly applicable to street photography.
Scott Brasher is a fashion street photographer based in New York City. His work has been featured on many media outlets while working with brands like Cover Girl, MTV, Reebok, and Target, among many others. But before this, Scott started shooting in the streets of Williamsburg, Brooklyn, capturing its daily urban fashion. Last month, he took the Petzval Lens to the streets of New York to photograph scenes at the famous New York Fashion Week.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Lubitel for lovers+. You're probably wondering, "Why is there a '+'?" It's to describe and expand a whole new definition of the Lubitel - in this case, this camera is not only for lovers literally, but also for anyone who loves to shoot portraits, street scenes, objects, and the skies. Do you love to take photos of your lover, your dear friend, your lovely family, your pet, or at the streets? This camera can be used in ALL situations. You can shoot everything that you love with it!
Are you ready for an adrenaline rush? A little while ago, we teamed up with the snowboard and film-making collective Yougofirst and gave them a LomoKino and some film rolls to play with. After a season of crazy riding, jumps and tricks, they have finished their latest movie HETEROTOPIA which features footage shot with our 35mm movie-maker. We had the chance to catch up with Vid and Matic from the collective about the new movie and their experiences shooting analogue on the slopes. It's also our pleasure to showcase the movie here!