Which film review shines and is a cut above the rest this week? Find out after the jump!
Sure, everyone loves the super saturated colors and bumped-up contrast of slide film but there are times when you just crave the realistic and natural tones of color negatives. longcg reminds us of the wonder of shooting with negatives in his review of the Kodak Ektacolor 160. Priced reasonably, has a teeny-tiny blue tinge and gives incredible skin tones, Kodak Ektacolor is perfect for lazy Sundays shooting about with your Holga or Diana F+ Congratulations on the review of the week!
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
The Pop 9 is an analog multilens wonder that allows you to take a mosaic of nine images in one frame à la Andy Warhol's famous pop art. In this Reviews on Rewind installment, we dug through our archives and found these informative reviews of the Pop 9 - just in case you're looking into snagging a fun camera in your arsenal!
Liron Peretz is a talented Berlin-based fashion photographer who has been covering Fashion Week events for the last three years. For Lomography, she took the New Petzval Lens to the Mercedes-Benz Fashion Week in Berlin. Find out how she got along with it in this exclusive interview and see some of her beautiful backstage photos!
Looking for a reliable flash? Consider the Lomography Ringflash, which throws an even burst of light around your subject! We scoured the Magazine and found these community-written reviews for you to peruse.
Another week in film done. This week, I have more Instax, some Konstruktor, a failed triple exposure of myself and shooting film for international film swaps. And this is just the stuff I’m telling you about.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.