Got my first Lomography case a while back and love it :)
I decided to by a Lomography case for my Fisheye lately, as I’m the kind of person who likes to chuck my camera in my backpack (its a miracle my camera has survived so long without a case). Lomography has a lovely choice of colours to chose from and I went with a vibrant orange, it’s also available in lime punch and black.
The case is suitable for either a Fisheye One or Two, with a small pouch for the Fisheye No.2’s viewfinder. It is made from a sturdy light weight vegetable-tanned leather with organic finish.
What’s is great about this camera is it is obviously made for the Fisheye and works with the camera perfectly. It is very easy to remove the front of the case to give quick access to the camera. and is full off little details to let you know this is a Lomography case.
It also gives your camera a bit of a make over, with the attention grabbing case colour.
I really love this case and am hoping in the future their will be more Lomography cases released. Would especially love a case for my La Sardina Camera and Flash Grand Cru, as I’m always worring about damaging the cork.
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
The shift from using a Pentax MX to a Fisheye No. 2 was quite a big leap for her. Although some of her first photos came out underexposed, it didn't stop her from loving and shooting with this wide-eyed camera. Find out more about Cris Miranda and her First Lomo Affair with a Lomography Fisheye No. 2!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
It may take a while for some lomographers to figure out the perfect combination of camera, film, and accessory that suit their needs. But, Wessel de Haas, aka wesco, has been extremely lucky to find his early on his journey to Lomography. Find out what film and accessory he likes pairing his La Sardina 8Ball with in this edition of My First Lomo Affair!
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
If it's your first time to use the Fisheye Submarine Case (with your Fisheye One/Fisheye No.2 cameras) or the Krab Underwater Housing (with your LC-A+ or LC-Wide cameras), you might still feel a liiiiittle bit anxious about taking your favorite cameras underwater. To help ease your worries I gathered some of the most helpful tips, straight from summer-lovin' Lomographers who braved the waves with their cameras!
The Lomography Sprocket Rocket - my first analogue camera ever - and I have had some troubled times behind us. We have been involved in a stormy love-hate relationship for several years. But in the end, we luckily managed to get over ourselves and overcome our problems. Now he's my old time favorite. Old love never rusts, that is.
It's time to take your Fisheye One or Fisheye No.2 Camera out for a swim! But make sure that it's encased in its swimsuit - the Fisheye Submarine Case. This transparent case allows you to take photos 20m (65 ft) beneath the water surface! See the gallery below to see some cool photos taken by your fellow Lomographers!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.