We all know that films started in black and white. Back when coloured films weren't still available and all we had were grainy monochromatic colours to view fancy moving images.
But having no colour doesn’t mean having no life! These films are a classic and they sure are beautiful! Sometimes, we even prefer black and white films to achieve a certain feel and a certain taste of nostalgia.
One grand prize winner will receive 30 piggies plus an Award while two runner-ups will receive 15 Piggies each.
Film/Camera Type: Movies done only with the LomoKino camera, shot in black and white film.
Submissions must be linked in the comments field below.
It’s a classic competition! Good luck! :)
Enter a new analogue dimension with the LomoKino. Lomography’s own 35mm analogue movie camera allows you to capture action and immortalize your story on film! Shoot 144 frames on any 35mm film and create your own cinematic masterpieces. Want to watch your movie the old-school way? We also offer the LomoKino and LomoKinoscope package!
Barbora Smoláková's first brush with lomography started with a Diana F+ Deluxe Kit. With its variety of accessories, the Diana F+ allowed her to explore the endless possibilities of creative photography. In this interview, she opens up about her experience shooting with this versatile camera and how it helped her appreciate the beauty of ordinary things.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
As a wildlife cameraman and photographer, Ian Llewellyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewellyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
Although its existence has always been known among locals, it was only in 1913 when the rest of the world was introduced to the Inca site of Machu Picchu through an expedition headed by Yale University and professor Hiram Bingham.