The Universal film, can shoot in any weather. Pure gold!
One fine summer day – when the sun was shining and I was still rich, I bought heaps of Kodak Gold 200. For a long time I have not seen film with 100 ASA for sale, perhaps they don’t produce it anymore, I’m not sure though and I really don’t care that much since I already have 30 boxes of gold! Now, while I was writing this article – summer passed and winter came, there’s snow outside the window and the sun has disappeared, but my pictures kept the memories and there are still a few rolls waiting for the next sunny season.
KODAKGOLD 200 Films are low-speed color negative films that offer an outstanding combination of
color saturation, fine grain, and high sharpness. This film is perfect for summer and the bright sun, as well as for evening shooting. It gives a bright saturated colors, especially yellow and blue. But I would not recommend it for shooting indoors, and using natural light in particular. If there’s no flash, your photos will be muddy and always with an orange tint.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Pixelstick is exactly the must-get tool to create mind-blowing light paintings with different colours and patterns: 1.8 meter long, 200 full colour and high fidelity LEDs! Grab your camera with long exposure mode and a tripod, and you can create dozens of dreamy pictures just by moving your Pixelstick in the dark. Take a peep at our friends from Lomography Hong Kong’s shots with the Pixelstick!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact and is capable of shooting photos in 3 different sizes: 6x12, 6x9 and 6x6. Equipped with high-quality interchangeable lenses and automatic exposure, it can give you beautiful shots with every roll. It can also take 3 different film formats: 120 film, 35mm and instant film. Read on to find out all about this fantastic camera.