It is well-known that all those Tungsten films are adjusted to the tungsten color temperature (3200K) and should be e-6 processed. But in Lomography we couldn’t care less because of the passion to experiment and to get surprises from the most unexpected colors. And if so – this film was a very safe bet.
While in the dark clubs we are getting simply saturated colors, the daylight story is completely different. We are getting the craziest mixture of vivid colors with dominant cyan and yellow tints.
Try this film (even if it’s outdated by 3 years like mine) and don’t forget to gently balance the colors in case the scanner software wasn’t sophisticated enough to make it the right way.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Aside from the Magazine, going through the User Blogs is another way to keep tabs on the latest happening in the community. Throughout the year, it was filled with articles on new discoveries, thought-provoking opinions, and exciting exhibits that surely entertained, challenged, and inspired everyone. Let's take a look back at the fruitful year through the most popular user blogs of 2014.
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.
If it's your first time to use the Fisheye Submarine Case (with your Fisheye One/Fisheye No.2 cameras) or the Krab Underwater Housing (with your LC-A+ or LC-Wide cameras), you might still feel a liiiiittle bit anxious about taking your favorite cameras underwater. To help ease your worries I gathered some of the most helpful tips, straight from summer-lovin' Lomographers who braved the waves with their cameras!