It is well-known that all those Tungsten films are adjusted to the tungsten color temperature (3200K) and should be e-6 processed. But in Lomography we couldn’t care less because of the passion to experiment and to get surprises from the most unexpected colors. And if so – this film was a very safe bet.
While in the dark clubs we are getting simply saturated colors, the daylight story is completely different. We are getting the craziest mixture of vivid colors with dominant cyan and yellow tints.
Try this film (even if it’s outdated by 3 years like mine) and don’t forget to gently balance the colors in case the scanner software wasn’t sophisticated enough to make it the right way.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Aside from the Magazine, going through the User Blogs is another way to keep tabs on the latest happening in the community. Throughout the year, it was filled with articles on new discoveries, thought-provoking opinions, and exciting exhibits that surely entertained, challenged, and inspired everyone. Let's take a look back at the fruitful year through the most popular user blogs of 2014.
With a love of antique cameras and analogue photography, Shawn Lin has long been an active member of the Lomography Community with dozens of his shots being featured. Shawn likes to explore the effects of double exposure on different themes and objects, with an emphasis on the presentation of colours. Come take a look of his work of using Petzval Art Lens on his antique camera and his thoughts about the two!
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.
If it's your first time to use the Fisheye Submarine Case (with your Fisheye One/Fisheye No.2 cameras) or the Krab Underwater Housing (with your LC-A+ or LC-Wide cameras), you might still feel a liiiiittle bit anxious about taking your favorite cameras underwater. To help ease your worries I gathered some of the most helpful tips, straight from summer-lovin' Lomographers who braved the waves with their cameras!
Pixelstick is exactly the must-get tool to create mind-blowing light paintings with different colours and patterns: 1.8 meter long, 200 full colour and high fidelity LEDs! Grab your camera with long exposure mode and a tripod, and you can create dozens of dreamy pictures just by moving your Pixelstick in the dark. Take a peep at our friends from Lomography Hong Kong’s shots with the Pixelstick!
Bask in the sunshine of panoramic shots with the effortless cool of the Horizon Cameras. Be it with the Perfekt or Kompakt, you’ll never be caught off guard with their mechanical swing lens that captures all the action on 35mm film.