After giving Supersampler as a birthday present to my girlfriend. This film become our favorite film. First my girlfriend thought this film is cheap. The price? I think is less than $2 or in Indonesian Rupiah about Rp.13.000,- . The price is cheap but the result is? "adiii... it's so amazing!!" she said. My girlfriend officially make this film her official film for her Blue Supersampler.
She inspired me to buy more DNP Centuria 200iso. hahaha! then I bought a few rolls and tested it on my LC-A+RL and Horizon Perfekt. wooooww! I just love the colors! it’s very “Indonesia” . Why “Indonesia” ? the colors are so Indonesia. It fits the whole situation. When it’s cloudy, the film manage to give you colors that is so nice and calming. It’s not overrated but not too bright as well. It will do you good in every kind of weather. With or without using the flash, still this film gives you warm loving images. So from my experience using this film, I suggest you to buy this film and try it on different cameras.
Make sure that this film gives you warm loving images. Lomo On!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, few information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.