This is by far my favorite concert film! The high iso lets you work with minimal lighting and no flash, especially good for concerts where the band sprays blood and guts at the audience, I didn’t even expect the film to work out because of the terrible all-around photography environment. I used 1/125 shutter speed with and aperture set at f4. I love the grainy quality of this film and the contrast. i definitely would recommend this film for any one who doesn’t like to use flash and like to take pictures at night or in dark conditions. I will definitely be using this film again in the future and for many more concerts to come!
Most, if not all, of the photographs in Keis Iguchi's LomoHome were printed using traditional darkroom processes. He likens film photography to using cassette tape and relies on his favorite combination of LC-A and Ferrania Solaris 800 in creating evocative images. In this interview, our Newcomer of the Week from Tokyo Japan shares more about his affinity for analog photography.
From the simple Vivitar 110 camera he received from his grandmother, Brett Wolff already accumulated close to almost a hundred cameras and accessories in his analog arsenal. Some of the cameras he treasured were even handed down by relatives and friends, making these more precious to him. Let's take a closer look at his camera collection.
Elvis Halilović turns chestnut wood into heirloom-worthy cameras known as Ondu. As a countdown to Pinhole Photography Day happening tomorrow, we show you how these pieces are shaped, sanded and assembled. All this effort for the love of a good picture!