Yesterday, while I was looking through my news feed, I stumbled upon this light article about a 3-year-old street photographer named Onafujiri “Fuji” Remet from Lagos, Nigeria.
According to the CNN report, Fuji’s interest in photography was influenced by his family – his father is an artist and graphic designer, while his older sister is also into photography.
And judging by the photo below, his camera of choice is not exactly a simple point-and-shoot!
It makes me wonder just how much Fuji’s parents trust him when it comes to the gear. Not that there’s anything wrong with their support for his interests — it’s a wonderful thing, really — but can you imagine little Fuji’s hands are compared to the bulk of an SLR?
Which brings me to the question, if you had a child with the same healthy interest in photography as Fuji, would you go ahead and provide something as advanced as an SLR, or would you rather start simple and give him a point-and-shoot? Leave your thoughts below!
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
For this young artist, photography is not just a tally of sights. Set in light or dusk, it is a record of sensations. Shared bliss and awe are as much part of the scenery as the clouds. There is a sense of flight even on land.
Children, ever curious and with an innate sense of wonder, ask a lot of questions. Often they're easy enough to answer, but sometimes there are those that leave the adults stumped and mulling over them. The history of the instant camera as we know it began with one such question.
London-based children's writer and photographer S.F. Said is also an avid fan of instant photography. He talks about his work, as well as his experience with the Lomo'Instant, in this exclusive interview.
In Carly Zavala’s work, honesty comes in visual cues. It can be as simple as a woman looking straight into the camera, or as meaningful as a man deep in thought. It is loyalty to the facts of a scene. What little light is there she will finesse into a striking image.
The new year is still young, but it seems as if it'll be over quickly. My organizer is already filled with entries until June. 2015 will probably be worse than 2014 when it comes to having time off so I could take some analogue shots. Anyway, there are some photography-related things that I really want to get done. It is probably best to set some goals if I only have very limited time.
Some city-based parents feel wistful when they see their kids huddled in front of screens. There is nostalgia for tree climbing, hopscotch and bicycling. And why must children of today spend all their free time playing with zeroes and ones? This black and white gallery will inspire you to get the little ones out and about even just for the weekend.
As a core member of Yamanaka Yuko, a local hiking group based in Hong Kong, AM Renault is deeply in love with nature. He is also part of the creative photography group Six Dimen Boy and is good at intertwining photography with art and design elements -- making photos not only useful for documenting what we see, but also as a means to tickle the imagination. The young and talented AM tried out the New Russar+ lens while traveling in Japan with his father. He talks about his experience and shares the sights from his journey in this Lomography Magazine exclusive.
A road trip is a celebration of little freedoms. It’s a chance to break out of a rut and to be a little unruly. All the mischief may be off limits to the camera, so the things we do photograph need to serve our memory well: They must convey the relief, fun and color of our secret sprees.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.