Lomography’s first ever 110 format film, Orca is here to introduce you to the wonderful world of 110 black and white photography. Don't let its small size fool you because it delivers big-time black and white analogue photos!
The crispy Lomography Orca 110 B&W film might be small in size, but it yields great depth of field and excellent results even at short focal length. This 110 film makes for extra portable, pocket-friendly fun. A high quality black and white film, the Lomography Orca requires classic b/w processing and produces good sharpness and contrast.
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
As a photographer, Issa Ng is known for his expertise in portraiture and fashion photography. Having worked with different international brands as an Art Director, he has developed a great sense for aesthetics and details, which are reflected in his work. For the past three years thePetzval lens has been part of his workflow, and it has helped him create those show-stopping fashion portraits.
Like a quick-changing siren, a sunset has fantastic showmanship. It may come in a costume of luminous yellow one day, and a daring paint canvas the next. And of its various looks, five have been getting the loudest applause from all over the community.
Over two decades ago, hervinsyah and his family went on a trip to Tana Toraja. There, they were able to see firsthand how the people of the Tator tribe lived and witness one of their important rituals.
Mysterious apparitions and other inexplicable phenomena on film, or generally speaking, for that matter, are as highly debated topics today as they were many decades ago. In 1934, a certain Mr. C.P. MacCarthy of 15 Wilkinson Street, Sheffield held a lecture at 76 Clarkehouse Road located in the same city to "demonstrate under test conditions Fake Psychic Photography" before an invited committee. MacCarthy's demonstration was accompanied by a series of photographs titled "Psychic Photography From a New Angle."