So this year I've decided to challenge myself to shoot 1 roll every week for a year, something I like to call "The 52 Rolls of Film Project. Now I'd like to extend the challenge to the rest of you.
So this year I’ve decided to challenge myself to shoot 1 roll every week for a year, something I like to call "The 52 Rolls of Film Project. Now I’d like to extend the challenge to the rest of you. The only rule is the one I already mentioned, and that is to shoot 1 roll (and only 1 roll) per week for a year. By the end of the year you should have 52 rolls worth of pictures. Just shoot whatever you feel like. It can be documentary, purely artistic, or both. Color, B&W, infrared, cross processed: anything goes. Just shoot shoot shoot. But I repeat: ONLY 1 ROLLPERWEEK!!
Estilhaços is an annual short film festival in Leiria, Portugal. I was challenged to create six analog videos to be projected during a live music showcase. I decided to use LomoKino for the first time.
Jack Lowe has set himself a challenge to document every RNLI post around the UK coastline using a Victorian method of photography called Wet Plate Collodion Photography. He has been driving around in an old ambulance converted into a mobile darkroom. Jack talked to us about this fascinating project and the challenges he faces along the way.
I have been constantly returning to the Sahara, and my last visit was the fifth in a row. Every visit was full of excitement and surprises. I feel like this place has become my second home. This year, I decided to travel there for a fortnight.
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
My friends and I teamed up with Photo Art Pro to spread analog love to the Zaporozhye community. Last month, we hosted a Yeti Scavenger Hunt and had a LomoKino camera as prize. We challenged participants to shoot a roll of film based on a checklist. It was tremendous fun!
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
Jack Lowe has been traveling round the UK with the aim to shoot every RNLI post using Wet Plate Collodion photography. The Lifeboat Station Project photography is a five-year photographic mission that makes use of a painstaking process. It is a fascinating, much talked about project that deserves to be documented, not just through words but through images as well.
My wife and I suffered a family loss in October 2013 so we decided to shift things around and have a celebration of life—a wedding, actually—to associate our loss with the beginning of something positive and memorable. We have been together for nearly 13 years and after getting married, we headed off on a three-month trip to South America and a few other stops to complete a round-the-world loop back to Australia.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
I have to admit that I’ve never liked using flash in public places. In some situations it can be distracting. Like concerts, for example. Can you imagine a live music show where people decide all of a sudden to use it at the same time?
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.