First, I measured the size of the lid on the film box. It was 40 × 40mm.
Then I cut six strips of tape. Three of them 42mm long and three 46mm long.
Next I took the smaller ones and folded them in half.
Then I just taped the holder together. In second picture you have to cut tape strip in half so you don’t cover your viewfinder with it.
And it’s ready! Just slip that little piece of cardboard to the reminder and you won’t forget what film you’ve got inside the Diana Mini!
The Diana Mini is the ultra-compact, petite version of the Diana F+. This camera takes soft-focused, lo-fi images in 35mm and allows you to change between half-format and square shots with a flick of a switch. Get your own Diana Mini now!
For the past three months, I've been living alternately between three cities: Bandung, Bogor, and Jakarta. I'm originally from Bandung. I now work in Bogor, sometimes in Jakarta. I could be in Bogor on a Friday, Bandung on a Saturday, and Jakarta on a Monday. Shuttling between these three cities, I don't forget to document what I see and experience with my LC-Wide.
I've always been looking for a really simple solution to hold my color gels of my Diana Mini's flash WITH the camera and make them easy to grab when I want to use them. I also wanted something to keep them from getting damaged. Let me show you how I found a simple way to make it.
This is a film soup that I came up with a long time ago but was not happy about it at all. In fact, I've slightly modified it for this tipster that I'm about to share with you. Read on to find out more.
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
I want to share with you my experience with some slides when I was in Russia. I'm very sorry for them because I messed them up. They're just ruined and they'll never be the same! But hey, I have thousands of them, so I guess it's not a big deal after all.
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
You want your subject be the center of attention? Petzval lens are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
I’m lucky enough and old enough to have grown up in an era where film was the only form of photography available. I’ve always had a passion for film but it was a certain series of images that inspired me and changed my idea of photography forever. Find out what that was after the jump.
What happens when the Lomography Belair X 6-12 camera lands in the hands of the Nixon surf team? A series of gorgeous panoramic photos is born! Have a look at what these adventurers came up with after the cut.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!