For the high-speed freaks, Lomography Color Negative 800 is your top choice for dark, overcast or low-light shooting conditions. Capture bright and brilliant photos you wouldn't normally be able to shoot with lower ISO films!
Quick shutters, small apertures, fast subjects, and low lights call for a fast film. To all of you plastic and multi-lensers, the dusk til dawners and hi-speed Lomographers, we’ve got you covered with the Lomography Color Negative 800 35mm film! It guarantees amazing results even in the most poorly lit conditions like indoors, at concerts or underwater, so get your stock of Lomography Color Negative 800 ISO 35mm today!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, few information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.