Produced by Minolta Camera Co. Ltd. between 1976 and 1979, the Miniolta Zoom 110 SLR is the first known 110 format SLR.
Fully automatic with aperture-priority exposure, the Minolta 110 Zoom SLR has a fixed 25-50 mm f/4.5-16 manual-focus zoom lens with macro-focusing capabilities up to 11 in. Aside from being the first single-lens reflex camera for the 110 format, it is also noted for its unusual, flattened shape instead of a miniaturized standard SLR shape.
Lens: Fixed; 25-50 mm f/4.5-16
Shutter speed: 10 sec. – 1/1000, 1/150 flash sync speed and B
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
As a wildlife cameraman and photographer, Ian Llewellyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewellyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
It is with great pride that we introduce you to our newest instant camera — the Lomo’Instant Montenegro Edition! Inspired by the splendid charm of Montenegro — an enchanting Balkan country known for its rugged mountain ranges, medieval villages and magnificent Adriatic coastline — the Lomo’Instant Montenegro Edition is a crown jewel of the Lomo’Instant Family.
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.