Aside from being an iconic film director, Stanley Kubrick was also an exceptional photographer during his younger days. New York was among the cities he roamed, where he captured scenes of subway passengers in glorious monochrome in 1946. Take a look at some of Kubrick's New York City Subway photos after the jump!
If you’ve seen and liked the 1949 Chicago photographs of Stanley Kubrick, we bring you some more of these impressive city snaps by the master film director. Going further back to 1946, let’s take a look at some photos Kubrick snapped during his early days as an apprentice photographer — and the youngest staff photographer soon after — for Look magazine.
Below, you will find some interesting city snaps from Kubrick’s Life And Love On The New York City Subway, a series which provides a glimpse of what daily subway commute was like during the late 1940s. Young as he was, Kubrick clearly had the eye for detail and knack for composition, as evidenced by his early photographic work.
What do you think of these black and white photographs taken by Stanley Kubrick in 1946 New York? Tell us your thoughts with a comment below!
Scott Brasher is a fashion street photographer based in New York City. His work has been featured on many media outlets while working with brands like Cover Girl, MTV, Reebok, and Target, among many others. But before this, Scott started shooting in the streets of Williamsburg, Brooklyn, capturing its daily urban fashion. Last month, he took the Petzval Lens to the streets of New York to photograph scenes at the famous New York Fashion Week.
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With your overwhelming support, we have run out of Belair Instant Backs! We'll restock it in April, but don't worry because the Belair Instant Camera is readily available to satisfy your instant cravings!
Mysterious apparitions and other inexplicable phenomena on film, or generally speaking, for that matter, are as highly debated topics today as they were many decades ago. In 1934, a certain Mr. C.P. MacCarthy of 15 Wilkinson Street, Sheffield held a lecture at 76 Clarkehouse Road located in the same city to "demonstrate under test conditions Fake Psychic Photography" before an invited committee. MacCarthy's demonstration was accompanied by a series of photographs titled "Psychic Photography From a New Angle."
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Boasting of exactly the same optics as the legendary LC-A camera, the Lomo LC-A Minitar-1 2.8/32 M Art Lens brings for the first time the signature lomographic style not only to analog, but also to the digital platform.