This installment of Stop Motion Sunday picks up from last week's feature on the history of puppetry for stop-motion animation technique. So, if you'd like to learn how the technique is done at present, go ahead and read on!
Last week, we shared with you an episode of Discovery Channel’s Movie Magic documentary on the history of puppetry for stop-motion animation in films. If the previous installment piqued your interest, today’s offering presents a more modern perspective on how stop-motion animation and puppetry is done.
While there has certainly been a lot of improvements when it comes to designing and making puppets for stop-motion animation, the process of doing the whole animated film remains a painstaking and elaborate one. How It’s Made, another documentary from Discovery and Science Channel, shows how modern-day stop-motion animation is done at this time and age:
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In this article I’m going to review the LomoKino's key features, show you how to load the film, and share some tips on shooting and editing a movie. I will also show you a short stop motion movie that I made with this camera.
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When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.
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