I've just built my Gakkenflex on my first film it kept slipping and not advancing properly. So here is a quick fix.
All you will need for this is a thin piece of card or foam. I used a little piece of sticky backed foam I had left over from a seal kit I had for my Yashica Electro.
The reason for this tip is that when I put my first film in my GakkenFlex and tried to forward the film it kept on slipping off the sprocket pins and would not move the film advance wheel properly, so I didn’t have a clue if I’d advanced the film either too much or not enough.
All you will need to do is cut your card/foam to fit in between the first two rails on the back of the Gakkenflex and stick it down so it covers the sprocket wheel when the back is closed. (see the picture I’ve included)
It works a treat and also puts a little more tension on the advance so the film lies flat against the back…..
Hope you like the tip and I’ll post my first roll when I’ve developed them.
With the holidays just around the corner, it's a great time to make sure you have loads of wonderful films for all the fun festivities coming up. Today's Advent deal of the day is here to help you do just that! Head on over to the Online Shop and save 10% on our wide selection of films. Do the right thing and keep your camera happy this year!
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
A movie's parting shot is a crucial element in the sense that it could either make or break the lasting impression that it would have on its audience. It could either wrap things up quite nicely and leave viewers satisfied, or it could do otherwise. For many, it's often the first thing that comes to mind long after the final credits have rolled out.
For the last year we've been working on the next version of Lomography. We based our work on the feedback you’ve given us over the years and we wanted to share it as early as possible with you and can’t wait to hear what you think. Just one warning first: it is still in development and things can break. All the photos, comments, likes, homes and everything else were transferred as of October 16th, 2014. So anything you do on next.lomography.com won't be reflected on www.lomography.com and vice versa. Once we are done with testing, everything you did here will be deleted again. So this is a big playground for you to explore.
The Petzval Lens was the first truly practicable portrait lens ever created and thus was the ultimate gift to early photography. We at Lomography feel that this lens and its inventor deserve some attention so here is the first of a series of articles on Joseph Petzval and the first Petzval Lens.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
I don’t like to split. A split means distance, separation, it means categorical divergence. We split hairs, we split incomes, we split up. So the first thing we have to know here is that a Splitzer – different from what you might have thought - is not at all a nasty boy splitting things up.
This article is a tribute to the great Portuguese film director Manoel de Oliveira, who died last April 2. With an old Praktica loaded with a roll of black and white film, I captured so enthusiastically his city Oporto (Porto) with its famous Ribeira district, the most characteristic of the Lusitanian town. It was here that more than 70 years ago, Manoel De Oliveira created a timeless masterpiece: "Aniki-Bòbò"!
Sira Pocovi, better known in the Lomography community as sirapocovi, is a London-based camera trainee who assists camera crews on film sets. It's no surprise, then, that she's so smitten with the LomoKino! Here, Pocovi opens up on her experiences filming with this camera as well as her project, Lomokovi Films.
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.