The Tri-X 400 was the first black and white I loaded in to my Diana and It was just what I hoped it would be!
It was a long time since the last time I shot in black and white. My last experience was not a great success. There is something about shooting black and white – one should remember that what one sees is not exactly what one gets and that color-based contrast sometimes gets lost in translation.
And that was what I was missing in my last B&W roll, a few years back, the contrast. So, when I got a roll of the Tri-X 400, I thought that this time I’ll try to do the mental switch of shooting black and white, and hoped to get the aid of this film. It delivered. I was very happy when I picked up the first developed and printed roll from the lab. It was just what I wanted! I loved the deep contrast, the wide spectrum of grays and the fine grain. Since then I shot a few more rolls, and was very satisfied from the results.
Well, if you like black and white, I say you should definitely give this one a try!
I want to share with you my experience with some slides when I was in Russia. I'm very sorry for them because I messed them up. They're just ruined and they'll never be the same! But hey, I have thousands of them, so I guess it's not a big deal after all.
Lomography UK was lucky enough to test an LC-A 120 prototype in store and it was glorious! We used colour and black and white film to capture the camera at its finest. It was everything you would expect from the LC-A but in full frame 38mm f/4.5 120 film. It's LOVE.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
When I held the Lomo LC-A 120 in my hands for the first time, I immediately noticed its good feel and beautiful design. The LC-A 120 obviously, is truly, related to the queen of all Lomo cameras, the LC-A.
Summer is full of color so using black and white film might not be the first thing that comes to mind. Yet the summer sun works out beautifully on black and white film. Like to give it a try? I've come across the best light at the train station during rush hour!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.