I just love to see the world in RED, and in this review, I want to show you 5 color negative films that I made into redscale films.
I don`t really want to show you how to make a redscale film at home, but rather just to compare and show 5 films with pictures to let you know what you can expect. If you want to know how to make a redscale roll, you should click here
I exposed the roll at the given value and almost all the pictures were underexposed. I recommend you to expose the film 2 or 4 times longer (depending on weather).
100 → 25/50, 200 → 50/100, 400 → 100/200, …
The 5 films that I compared on the basis of pictures are…:
Rossmann (German drugstore) 400, exposed at ISO 100
DM Paradies (German drugstore) 400, exposed at ISO 400
DM Paradies (German drugstore) 400, exposed at ISO 200
Kodak Farbwelt (“Colorworld”) 100, exposed at ISO 25
Kodacolor 400, exposed at ISO 100
1. Rossmann 400
2. DM Paradies 400
3. DM Paradies 400
4. Kodak Farbwelt 100
5. Kodacolor 400
Of the 5 films, I like the Rossmann 400 most, because it gives such an intensive RED.
I hope I was able to help you with your next decision on what film you choose to redsale. :)
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
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About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
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Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
In this article I’m going to review the LomoKino's key features, show you how to load the film, and share some tips on shooting and editing a movie. I will also show you a short stop motion movie that I made with this camera.