This week’s Throwback Thursday feature goes all the way back to the Roaring Twenties again as restored colour footage of 1920s London made rounds online earlier this month.
“It’s like a beautifully dusty old postcard you’d find in a junk store, but moving.”
The footage above was filmed in 1926 by pioneer filmmaker Claude Friese-Greene for his cross-country travelogue The Open Road. Restored by the British Film institute back in 2007, it gives us a beautifully soft and enchanting glimpse of what it was like in the era – a startling contrast to today’s brighter and sharper images.
“Friese-Greene’s London footage was filmed on his homecoming after an 840-mile road trip across Britain from Land’s End to John O’Groats. An early innovator of colour technology, Friese-Greene developed a system initiated by his father, using colour-sensitive black and white film shot and projected via green and red filters. His 1925 road trip exploited this method to capture a precious record of British life, intended to be shown in cinemas as 26 separate episodes.” — Samuel WIgley, British Film Institute
On Thursday, the streets of Manhattan will once again be filled with much revelry as the Macy's Thanksgiving Parade takes place. With only a day left, let us look back at the history of this American tradition through these photographs taken during its early years.
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
As if there weren't already enough reasons to get yourself to the Photokina, Lomography's at it again... literally. This year, we're taking our stand back to the photography trade show spectacle and would love to see you all there!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
With features that allow one to be as creative as possible and a size compact enough to bring it anytime, anywhere, the LC-A+ is indeed an embodiment of our 10 Golden Rules. In this week's feature, we list down some of the ways you could up your photography game with this wonderful camera.
Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Autochrome was one of the first strides toward color photography. The combination of potato starch grains and silver bromide produces a cloudy cast that makes buildings like Villa Bonnier look even more intriguing.