Slide into the world of cross-processing color reversal film with Lomography X-Pro 200 film! Using the same one-hour developing chemicals available at most labs, you'll get juicy colors with intense saturation and contrast!
Get citrus tones in your 35mm photos with Lomography X-Pro 200 35mm slide film! It washes your shots with fruity colors and fascinating saturation. Squeeze some sweet and sour tones into your photo and get that uniquely Lomgraphic look with X-Pro 200!
Type: Color reversal/slide film
Legendary Agfa RSX II 200 emulsion
Developing: cross-process in C-41 (available at most one-hour photo labs)
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Diana F+ is something of a wild child. It loves outré looks, multiple exposures and outlandish colors. But loaded with the right 120 film, it can show a mellow side that favors rule-of-thirds perfection and subdued coloring.
My friends and I teamed up with Photo Art Pro to spread analog love to the Zaporozhye community. Last month, we hosted a Yeti Scavenger Hunt and had a LomoKino camera as prize. We challenged participants to shoot a roll of film based on a checklist. It was tremendous fun!
In 1968, Elliott Landy went around town to photograph the glamor set, including the likes of Faye Dunaway, Marlene Dietrich and Lauren Bacall. His black and white shots are now part of a limited-edition book.