Slide into the world of cross-processing color reversal film with Lomography X-Pro 200 film! Using the same one-hour developing chemicals available at most labs, you'll get juicy colors with intense saturation and contrast!
Get citrus tones in your 35mm photos with Lomography X-Pro 200 35mm slide film! It washes your shots with fruity colors and fascinating saturation. Squeeze some sweet and sour tones into your photo and get that uniquely Lomgraphic look with X-Pro 200!
Type: Color reversal/slide film
Legendary Agfa RSX II 200 emulsion
Developing: cross-process in C-41 (available at most one-hour photo labs)
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
In celebration of the mindblowing solar eclipse we had the other day, we ran a competition and asked you to tag your analogue photos centered around our great big yellow friend! Check out the winners now!
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Simeon Smith is a musician who recorded the sounds of our film cameras in action and made these samples available as a free download. We couldn't resist interviewing him about this project and taking a look at some of his photos. Meet the man behind the cams here.
Stephen Shore introduced to the 70s art world an unadorned image of American life. He captured littered restaurant tables as other photographers would immaculate vistas. For the opening of “American Surfaces”, he even taped unframed snapshots on gallery walls. In these videos, Shore talks about objects that have “no pretention to art” and the things he learned from Andy Warhol.