As a breather from all the bad news and sad scenes that's been in the media lately, TIME.com published a slideshow of some of their most uplifting staff photos to remind us that there will be better days and that they are something to look forward to—hopefully with a camera in hand!
What makes us grin, smile, belly-laugh? There are myriad triggers, of course, ranging from the sweet and the lighthearted to the dark and (occasionally) the deeply twisted. Here, as a visual antidote to the seemingly endless litany of bad news we’ve all endured over the past several months, TIME ’s photo editors offer a selection of iconic, sunny, jubilant pictures from across the decades.
In 1987, Herbert Morris combed through the files of his uncle, the late Herbert Habeeb. The things he left behind suggest that Mr. Habeeb was a man of staggering talent. He was an all-around science man who took excellent photos. But the mystery remains: Where did Uncle Herbert take his camera? What was the purpose of his travels? His namesake, fellow Lomographer Herbert, clues us in as to what his uncle might have been up to.
There is nothing better than a photo shot at the perfect moment. Henri Cartier-Bresson's principle on "The Decisive Moment" is a principle that we should still follow to this day. A perfectly-timed photo creates impact, whether it's one of a friend jumping into the pool or a couple emerging from the ceremony on their wedding day. For this rumble, we want to see that breathtaking moment, shot at the perfect time. And you showed us what it's like to be on time.
Diana F+ is something of a wild child. It loves outré looks, multiple exposures and outlandish colors. But loaded with the right 120 film, it can show a mellow side that favors rule-of-thirds perfection and subdued coloring.
My friends and I teamed up with Photo Art Pro to spread analog love to the Zaporozhye community. Last month, we hosted a Yeti Scavenger Hunt and had a LomoKino camera as prize. We challenged participants to shoot a roll of film based on a checklist. It was tremendous fun!
In 1968, Elliott Landy went around town to photograph the glamor set, including the likes of Faye Dunaway, Marlene Dietrich and Lauren Bacall. His black and white shots are now part of a limited-edition book.