For the last year we've been working on the next version of Lomography. We based our work on the feedback you’ve given us over the years and we wanted to share it as early as possible with you and can’t wait to hear what you think. Just one warning first: it is still in development and things can break. All the photos, comments, likes, homes and everything else were transferred as of October 16th, 2014. So anything you do on next.lomography.com won't be reflected on www.lomography.com and vice versa. Once we are done with testing, everything you did here will be deleted again. So this is a big playground for you to explore.
We are a community of talented and passionate photographers. There's no doubt about that but there are those who raised the bar high this year and continuously put everyone in awe with their amazing photographs and artistic experiments. We proudly present the most popular LomoHomes of 2014.
Hundreds of thousands of photographs have been shared in the community for the past twelve months and we cannot help but commend those that really stood out and captured everyone's attention. Let's take a look back at this great year through this selection of landscapes and portraits that make up the most popular photos of 2014.
Photographs with sprocket holes exposed are practically a dime a dozen these days but, of course, this wasn't the case more than 50 years ago. However, former freelance photographer Michael Ciavolino was already able to create one of the earliest examples of this technique back in the early '60s in his groundbreaking photograph called "Boat Ride, Rye Beach." Find out the fascinating story behind this photo, as well as how and why he did it in this exclusive Lomography feature!
Derek Woods is an Los Angeles-based photographer who previously got involved in a controversy surrounding a photo that was used in the opening credits of the HBO TV series "True Detective." Coincidentally, Woods happens to be a member of the Lomo community, and it became vital to interview him regarding the issue. The interview was successful and was published in May last year. His current project, 365 of Lomography, will chronicle his day-to-day exploits with Lomography cameras. To jog your memory, and to re-acquaint you with Woods, we are republishing our interview with the controversial photographer. Please take note that some of the photos are NSFW.
Liron Peretz is a talented Berlin-based fashion photographer who has been covering Fashion Week events for the last three years. For Lomography, she took the New Petzval Lens to the Mercedes-Benz Fashion Week in Berlin. Find out how she got along with it in this exclusive interview and see some of her beautiful backstage photos!
My brother had a photo exhibition last year at the North Sea Jazz Festival and got two tickets. So just like the old days with our father, we went to the Ahoy Rotterdam for an evening of jazz and other music. I was armed with an analogue SLR camera, telephoto lens, and sensitive film!
Petzval lens are designed for a Canon or Nikon SLR mounts and a selection of brass or black for each camera brand is available in our stores. And start shooting with images full of sharpness, crispness and bokeh effects!
Just last February, Cape Town's renowned professional photography store and film processor Orms developed their last rolls of slide film. In "The Last Roll," Hero AV compiles interviews with the establishment's owner and E6 technician, as well as the three photographers who captured the last images to create a fitting send off for the E6 process.
Susanna Brown is the Curator of Photographs at the Victoria and Albert Museum, London. She curated the exhibition "Horst: Photographer of Style" as well as recent V&A shows "Selling Dreams: One Hundred Years of Fashion Photography" and "Queen Elizabeth II by Cecil Beaton." We lent her an LC-A+ to test out her own photography skills and asked her a few questions about this fascinating job.
Snapping photos while traveling puts your photography skills to the test. However, during a trip to Ghana, I became aware of the power of an image. This article is about my journey making mistakes as a documentary photographer, cognizant of the effects of my white privilege.