Nature. This theme dominates my gallery and is my favourite type of photography. Mother nature is truly beautiful. It's hard to not take a pretty photo as the subject is stunning to begin with and I want to share with you a couple of my tips when i go on a nature-driven shooting spree.
Tip One – Go WIDE for landscape!
When it comes to camera and lens choice, i often opt for something with a wide angle lens. Nature is beautiful, so you just want to fit as much in as possible. You need to cram every little bit of the breathtaking landscape into your photos! I love shooting with my sprocket rocket and with my latest purchase – the Lomography LC-Wide.
Tip Two – 360°
Sometimes, wide angle lens just can’t seem to satisfy my “I MUSTCAPTUREEVERYTHING” mood and when that mood hits, I pick up my Lomography Spinner 360 and take panoramas!
Tip Three – Combining Slide Film with E6 Processing
Although I love XPRO, I’m beginning to enjoy putting my slide films through E6 processing, especially when my subject is nature! You can achieve unprecedented clarity with rich gradation and vivid colour! I’m still trying to achieve the perfect exposure that will result in high saturation and intense vibrancy. I really admire some of the amazing nature photographs that other Lomographers are achieving!
So these are just a few of my simple tips. Do you have any tips to share?
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
He expresses his photographic thoughts with brief words and manifests his photographic mind with simple images. For Sean Marc Lee, photography is a part life,and it happens naturally, like sleeping or breathing. This brings us to the question: how would he practice photography with the new Petzval Lens? Let's accompany him on his Petzval journey.
Apologies for making you go through my "weekend with my BFFs" shots, but I do want to share with you some easy tips and ideas to shoot your Lomo'Instant in the daylight and outdoor. This is especially aimed at people who don't read manuals.
As a game art designer, creating worlds and characters from his imagination is of second nature for Chen Chao. However, drawing with light and recording once-in-a-lifetime moments with his trusty analog cameras seem more magical, on a personal level. His LomoHome, which is filled with portraits of beloved subjects, most especially that of his little boy Liangliang, speaks volumes about his eagerness to preserve fleeting memories through photography.
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Here’s a random and rather mysterious tale for you folks. Just the other day, I was at a local bar with a few friends. It was much like any other evening; we were sipping a couple of cocktails, recounting our adventures, falling over ourselves with laughter and half-drunkenly meditating on the meaning of life (a scientist once told me it’s 42 by the way). But then something truly strange happened. Read on to hear my story and please make a comment with your guess at the end!
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
While many of us can only dream of working with musicians and photographing them, Angela Izzo's job entails exactly that. Apparently, this is a fulfillment of her own dream that she had when she was younger. In this interview, Izzo talks about her beginnings which, of course, included going to as many shows and festivals as she possibly can; some of her most memorable on-the-job-experiences with the likes of The Doors, Lykke Li, Jack White, Edward Sharpe and the Magnetic Zeros, and Chris Robinson Brotherhood; her inspirations and other interests; and her love for film photography and Diana Mini. And to those looking into fulfilling their own dreams of working in the same industry, Izzo also shares helpful advice based on her own experiences.