You usually just throw them away after using but film canisters have feelings too! Check out boredbone's latest series of quirky illustration-Lomograph mash-ups!
They’re the ones who care for our beloved films. They protect them and keep them safe. But after we get the film, we throw the canisters away. The canister suddenly becomes a worthless piece of plastic that is environmentally unfriendly and needed to be disposed of properly.
I know I am guilty of doing this before but now I think their life shouldn’t end in the trash.
So I keep them and make stories out of them. Here’s some of their stories for you to look at. Enjoy!
I’m lucky enough and old enough to have grown up in an era where film was the only form of photography available. I’ve always had a passion for film but it was a certain series of images that inspired me and changed my idea of photography forever. Find out what that was after the jump.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
Heads up, Metro Manila-based Lomographers! A film photography workshop to be conducted by Meerly, former general manager of Lomography Singapore, featuring the Diana F+ will be held this month at Common Room in Quezon City, Philippines.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
A recent trip to Bekasi City in his home country Indonesia had introduced priyotrilaksono not only to its sights and its locals, but was also treated to a firsthand demonstration of a local martial art form.