Is there anything sexier than a French girl in, on, and with film?
The original “sex kitten” of the 60’s, French actress Brigitte Bardot won men and women the world over with her tousled bed hair, big doe eyes, and dangerous curves. With films like And God Created Woman, Le Mépris, and Viva Maria!, Bardot was the ultimate sultry and seductive blonde bombshell.
In the above black and white photos by LIFE, she is behind-the-scenes of the 1959 movie The Lady and the Puppet with an issue of LIFE magazine (yes, the original publication from where we found these very images!) whilst holding up a processed slide frame to the light. How meta is that?
Not since the Statue of Liberty has a French girl lit such fires in America, and Brigitte Bardot does not just stand there like a statue. She moves, she wriggles, and her clothes are as often off as on. One of her films, And God Created Woman, has played for eight solid months in one New York theater and raked in some $2 million in the U.S. and, with her four other current films, has jammed art theaters until people complain they are clogging up culture. What Bardot has — which is more than sex — still mystifies many who stop to think about it … Meanwhile, the Bardot boom balloons. With four new films to open before years’ end, she’s finishing a fifth, The Lady and the Puppet [La Femme et le Pantin, translated as “A Woman Like Satan” for the English-speaking world], made in Spain where these pictures were taken. (LIFE)
Anything can happen in an instant, right? This is also true with instant snapshots taken with the Lomo LC-A+ camera and LC-A Instant Back+ accessory. Here's a quick look at the bizarre, unpredictable world of LC-A+ Instants!
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!
Snow-capped or covered in lush greenery, monumental or of smaller proportions, mountains create the most picturesque natural landscapes. The folks at The Gap Magazine are no stranger to their beauty and will showcase such visual splendor in their next issue. Do you have a scenic photo of mountains? Share your pictures with us and get featured in the December issue of The Gap.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Scott Brasher is a fashion street photographer based in New York City. His work has been featured on many media outlets while working with brands like Cover Girl, MTV, Reebok, and Target, among many others. But before this, Scott started shooting in the streets of Williamsburg, Brooklyn, capturing its daily urban fashion. Last month, he took the Petzval Lens to the streets of New York to photograph scenes at the famous New York Fashion Week.
Take a look at this beautiful hodgepodge of edgy photographs captured with the Revolog films! While you're at it, find out how you can earn piggies and have your own photographs be featured on the Online Shop.
This is a tribute to one of the most famous French social and street photographers, Robert Doisneau. During his life he was able to capture many little moments of everyday Parisian life with humanity and grace. His photos, full of poetry and humor, tell the ordinary life in the suburbs of the big French capital, away from the richest central areas of the city. Read more after the jump!
Vincent Law, a Hong Kong industrial designer, loves to shoot with black and white film. In his work, there is almost always a combination of people and architecture. He recently shot a series of black and white photos with New Russar+ Lens. Let's take a look at his work.
Valerio Spada went beyond his comfort zone and stepped right into the battlefield with his camera. He went to Naples, Italy, an area populated by the Camorra Mafia but also home to Annalisa Durante who, at the age of 14, was killed by a bullet aimed at a Camorra boss. What happened to her could've happened to any of the girls portrayed in the book Gommorah Girl. This work is about Annalisa. It's about all of the girls that, just like her, seem doomed to an unfair destiny - which, hopefully, may still change.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.