My first roll of Lomography's Peacock 110 Film and my experiences. Photos were taken with the Diana Baby 110 wide-angle lens. Disclaimer: No peacocks were harmed in the filming for this article.
My first Lomography camera was a Diana BlackJack and the first roll of film was Lomography’s X-Pro 200 120. It was a sunny day in Southern California and I was at a friend’s 60th birthday party. It was a magical set of photos in the sun and brightly lit shade.
When Lomography first announced the Orca film I was excited to have a new 100 speed 110 format film, but it was a little too slow. 200 speed is definitely more my style especially on a sunny day in the shade. I’ve been itching to try out the Peacock 110 film so here’s my first roll shot from my Diana Baby.
My favorite so far are the sunny blue sky photos, especially the Disney Hall at dusk photos. You can also see the cloudy shots have a tinge of redscale, or maybe it was just the Colorado snow. It was a nice, sunny Saturday back in So Cal, so shooting outside while eating lunch seemed like a fun experiment. The reflections came out nicely and it has the x-pro color shift you’d expect.
The last photo of the day was reserved for the Lomography Los Angeles Store just before I dropped the last roll off to be developed.
While waiting for the new Lomography gem, the wonderful Russar+ lens, I took some photos at a fun fair with my wonderful Mir 20/3.5 super wide angle lens from the big panoramic wheel. Here I'll tell you some tips about the use of this kind of lens. Read more after the jump!
In celebration of the 30th anniversary of the fantastic Lomo LC-A, and while waiting for the new Russar+ lens, I'll dedicate this article to an awesome super wide-angle camera: my Lomo LC-Wide that I like to use in architecture photography. Here you can read some simple tips I used to take a series of photos in the modern city of Latina in the center of Italy.
The shift from using a Pentax MX to a Fisheye No. 2 was quite a big leap for her. Although some of her first photos came out underexposed, it didn't stop her from loving and shooting with this wide-eyed camera. Find out more about Cris Miranda and her First Lomo Affair with a Lomography Fisheye No. 2!
Paired with your camera of choice, the New Russar+ Lens can produce exceptional images wide-angle dreams are made of. Whether you're in the market for stunning landscapes or striking street photos, the Russar+ makes an ideal companion during those photographic expeditions. Dan from Lomography Hong Kong recently shot with the wide-angle wonder, and here are some of the photos from his shoot.
As the mother of all modern wide-angle lenses, the New Russar+ Lens shoots sharp wide-angle photos bursting with character. The solid yet compact ultra-wide 20mm lens can be used to photograph practically anything, and is compatible with a variety of film and digital cameras. Certainly this is a lens that delivers, but like anything, you can reap its full potential by choosing ideal subjects and shooting from a creative perspective.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
In this article, I'll show you my 2014 in analogue through the letters of the alphabet. All these photos were taken in the streets of my city, Como, or in close proximity (a few kilometers away from it), mainly during public or sporting events, and all in black and white.
Sonia pushed the Petzval lens test one step further by shooting with expired black and white film. The results are amazing, and the grain gave life to these beautiful Petzval portraits! Learn more about this photographer and her love for films, and catch a glimpse of her photos, taken in romantic Paris.
Petzval lens are designed for a Canon or Nikon SLR mounts and a selection of brass or black for each camera brand is available in our stores. And start shooting with images full of sharpness, crispness and bokeh effects!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
In the week preceding the elections for the European Parliament, several political rallies were held in Como. As with all other public events in my city I documented one of these rallies, this time using a Russian film camera Zorki 6 loaded with a black and white film roll. Take a look!