This is my take on flowers, plants, and the universe. There is far more than meets the eye, and the flowers can be seen as a window into the deepest mysteries of nature.
Spring. A time of rejuvenation and rebirth. The ice melts and the sun feels warm again. The flowers and insects come to life, and start courting each other. Flowers are beautiful to the eye as well as the plastic lens.
The beauty of flowers extend beyond the general convention of “nice to look at,” if one only starts pondering on why they have fractal patterns, and why the numbers from the Fibonacci sequence keeps appearing everywhere in the flower (and nature in general), from the spiral patterns of the seeds to the position of the leaves. It is almost as if the plants are using those bright flowers to draw our attention to these deeper questions of the underlying mathematical structure of the universe—or is this just the way things are?
The plant needs the insects for the survival of its species and attracts them with their seductive smell and bright beautiful colors which is the supreme firework of nature. The interplay between insects and flowers must mean that insects can smell the flowers and see their colors, and yet they must perceive the world very different from us with their thousands of tiny lenses forming their compound eyes. Luckily my camera is more similar to my own two eyes, although it only has one lens.
A self-portrait may take root in confidence, extreme shyness or alternate bouts of each. Leanne Surfleet goes through this kind of fluctuation when the camera is all eyes. The attraction—as far as we’re concerned—is the mix of uncertainty and a kind of quiet poise. And here and there, a flash of skin that is more a mystery than full-on revelation. Even Surfleet’s portraits of other people have the same hushed invite, as if to say questions are encouraged. There we took our cue.
Every summer I get a burst of analogue excitement when I see the flowers starting to bloom. My favorite summer pastime is to take glorious shots of plants and flowers, and for perfect dreamy shots, I like to use the Diana Close-Up lens. Join me as I take you through a garden of analogue delights.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
There's nothing more satisfying than taking fantastic photos with a camera that you built yourself. If you've always wanted to impress your friends with your mad DIY skills, pick up a Konstruktor Camera Kit and show them what you've got! It's also a cool way to get them into Lomography, because as you build the camera you'll discover how analogue photography works. Oh, and the Konstruktor takes gorgeous photos, too - check out the gallery and see what we mean!
He calls himself Khalik Allah – a creator, a limitless, timeless, infinite being. He documents life as it comes and goes, as it hurts, as it glows inside the protagonists of his stories. His photography and videography take us deep into the never-ending nights of Harlem, a place where the darkness might seem to reach its peak. Yet, he is capturing light in its purest form, reminding us that it lies in everyone’s eyes, within everyone’s self.
Of course, Italy makes a great destination for taking photos. But what if there was a place where you could find stunning motifs, impressive colors, and the ideal mixture of nature and arts all at once? What if I told you that there is a place like that: a garden full of art in the middle of nowhere?
The new year is still young, but it seems as if it'll be over quickly. My organizer is already filled with entries until June. 2015 will probably be worse than 2014 when it comes to having time off so I could take some analogue shots. Anyway, there are some photography-related things that I really want to get done. It is probably best to set some goals if I only have very limited time.
In Carly Zavala’s work, honesty comes in visual cues. It can be as simple as a woman looking straight into the camera, or as meaningful as a man deep in thought. It is loyalty to the facts of a scene. What little light is there she will finesse into a striking image.
A hat is in the position to be noticed before any other item of clothing. Its shape and texture can immediately call to mind cultural associations. A cloche is to 1920s fashion as a picture hat is to the 1900s. The wide-brimmed or fur-lined variety, on the other hand, is more functional for tribes.
Soon, a school more than a century old in Switzerland will be closing its doors and transformed to house offices. Taking on the important task of documenting its hallowed halls is srcardoso, who made use of film as a way of honoring it.