The Canon EOS100F is an entry-level 35mm film SLR. This camera won't appeal to everyone, and may not conform to the Lomography 'rules' - except "#10 - break the rules"! I have fun with it, and that's the main thing :)
The great thing about it is that it uses all the lenses I have for my digital SLR.
It doesn’t have many features – you can change the exposure time & aperture. And not much else (unless of course I haven’t found them). One major annoyance is that the settings reset if you flip between modes. There’s one auto-focus point. And it feels a bit clunky. I’m not whining though – I’ve taken some of my favorite film photos with this camera.
The best feature of this camera is that it has a setting to take multiple exposures. Everyone knows that multiple-exposures are awesome.
With the recent launch of the Diana SLR Adapters, it would be silly not to get an SLR. These cameras can be found on the auction sites, and are very cheap now – everyone who previously used them are upgrading to digital – good news for Lomographers!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
With features that allow one to be as creative as possible and a size compact enough to bring it anytime, anywhere, the LC-A+ is indeed an embodiment of our 10 Golden Rules. In this week's feature, we list down some of the ways you could up your photography game with this wonderful camera.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
The latest addition to the Lomo’Instant family! Inspired by the Icelandic midnight sky, Get endless creativity, take multiple exposed instant snapshots, experiment with long exposure and light painting shots!
A road trip is a celebration of little freedoms. It’s a chance to break out of a rut and to be a little unruly. All the mischief may be off limits to the camera, so the things we do photograph need to serve our memory well: They must convey the relief, fun and color of our secret sprees.
A movie's parting shot is a crucial element in the sense that it could either make or break the lasting impression that it would have on its audience. It could either wrap things up quite nicely and leave viewers satisfied, or it could do otherwise. For many, it's often the first thing that comes to mind long after the final credits have rolled out.
Venturing into an area when there's volcanic activity is a feat that can only be either courageous or foolish. One thing's for sure, though, it's the kind of experience that not many people share and—should one escape unscathed, like russellmcbride and his friend—a highly rewarding one at that.
With a Lomo'Instant Camera and a Splitzer, you can get absolutely funny and creative images. I took it to the highest level and exposed my shots from 4 to 8 times! What you'll see next is an impressive mix of colors, textures, places and people captured in a very surreal way!
"I’m an analogue photographer but I’m old school in the sense that I don’t believe in cropping," Mary Ellen Mark shares in this video by Seaport Museum New York. "I believe you have to make the picture in the camera."
Photography is not only an act of documentation or communication, it is also a way of seeing the world. The camera opens our eyes and lets us see what lies behind the obvious, and we start looking at things as potential subjects of a photograph. Every leak of light unveils secrets that talented photographers turn into a piece of art. Li Hui is one of those gifted artists. We talked to her about her work and her sensitive photographs that picture a wonderful vulnerability.
A self-portrait may take root in confidence, extreme shyness or alternate bouts of each. Leanne Surfleet goes through this kind of fluctuation when the camera is all eyes. The attraction—as far as we’re concerned—is the mix of uncertainty and a kind of quiet poise. And here and there, a flash of skin that is more a mystery than full-on revelation. Even Surfleet’s portraits of other people have the same hushed invite, as if to say questions are encouraged. There we took our cue.
Architectural photographer Christopher Payne documents America’s industrial heritage with his large format images. For his project "Asylum," he visited 70 abandoned psychiatric hospitals across to country between 2002 and 2008.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.