In this final video, the George Eastman House discusses the Gelatin Silver Print: the photographic process that heralded the start of the modern photography.
The emulsion involved in this the gelatin silver print process is an emulsion of light-sensitve silver salts such as bromide or chloride combined with gelatin. It is first used on the dry plate process, then eventually coated on paper.
So there you have it folks, the early photographic processes explained and illustrated. We hope that you found this series as fascinating as much as we did, and that it renewed your interests in the history of photography!
Kodak cameras started a photography revolution that progresses to this day. See its evolution and 125 years of existence in this exhibit at the George Eastman House International Museum of Photography and Film.
An ongoing show at the George Eastman House in New York puts the spotlight on a collection of photographs that "explore uses of gardens and how humans cultivate the landscapes that surround them," from the time the medium was invented up to the present.
Marcus DeSieno is a Tampa-based photographer who specializes in merging early and modern photographic processes for his body of work. In this exclusive follow-up feature, DeSieno opens up about his process and gives a detailed walk through on his odd yet undeniably fascinating series, "Cosmos," which was previously featured here on the Lomography Magazine, and "Parasites."
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
In this follow-up, in-depth exclusive interview, Seoul, South Korea-based photographer and filmmaker Seung-Hwan Oh discusses the inspiration behind his ongoing photographic series "Impermanence" and the painstaking process that goes along with it.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
Having a professional photographer in the family paved a way for Bill to start taking interest in photography early on. In this interview, he shares more about how he discovered the community and his passion for shooting analog. Let's all welcome our newcomer of the week from USA, billseye!
Join us for an evening with NYC-based fashion photographer Emily Soto. Concurrent with her exhibition at our Gallery Store, "Petzval Portrats: Bloom," Emily will discuss her work and experience using the New Petzval Art Lens in her work. Gather insight into the creative process of one of New York's favorite photographers. This event will take place on July 9 at 6:00 p.m.
Even great photographers need help in making their prints as brilliant as their artistic vision. In this video, Robin Bell talks about developing and printing the pictures of David Bailey and Terence Donovan the old-fashioned way.