George saw what Paul was doing with his camera and wanted to do the same. Or the other way around. Honestly, we do not know. What we know, though is that the Beatles' guitarist liked taking his own photo, as well. Check it out after the jump!
We already showed you the self-portrait that Paul McCartney took with a twin lens camera. Obviously, his band mate George Harrison thought that was pretty cool and wanted to have a go himself. From what we see in the background behind the two musicians, it seems the two took their self-portraits in the same room and maybe even with the same camera. Judge for yourself:
Like these random vintage photos? See more articles from the Overly Descriptive Title series in the Lomography Magazine!
With your overwhelming support, we have run out of Belair Instant Backs! We'll restock it in April, but don't worry because the Belair Instant Camera is readily available to satisfy your instant cravings!
As a photographer, Issa Ng is known for his expertise in portraiture and fashion photography. Having worked with different international brands as an Art Director, he has developed a great sense for aesthetics and details, which are reflected in his work. For the past three years thePetzval lens has been part of his workflow, and it has helped him create those show-stopping fashion portraits.
Get negatives and scans for your 35mm, 120 or 110 films with Standard Development.Choose between Colour Negative Development, Black & White Development, Slide Film (E-6) and Cross-Processing Development. (Service availability depends on your markets)
Like a quick-changing siren, a sunset has fantastic showmanship. It may come in a costume of luminous yellow one day, and a daring paint canvas the next. And of its various looks, five have been getting the loudest applause from all over the community.
Over two decades ago, hervinsyah and his family went on a trip to Tana Toraja. There, they were able to see firsthand how the people of the Tator tribe lived and witness one of their important rituals.
Mysterious apparitions and other inexplicable phenomena on film, or generally speaking, for that matter, are as highly debated topics today as they were many decades ago. In 1934, a certain Mr. C.P. MacCarthy of 15 Wilkinson Street, Sheffield held a lecture at 76 Clarkehouse Road located in the same city to "demonstrate under test conditions Fake Psychic Photography" before an invited committee. MacCarthy's demonstration was accompanied by a series of photographs titled "Psychic Photography From a New Angle."