While some of my friends would be whipping out their digital cameras and/or iPhones out to take photos of their food and drinks, I would be wielding my trusty Nikon FE2 to immortalize delicious dishes in film.
I must confess that I am part of the population of Asians who like taking photos of their food. I shoot first, then eat after, much to the dismay of my friends who can’t wait to wolf down the delicious food before them. But, while some of those who share this hobby or practice with me would use their digital cameras or smartphones to take photos, I would do so with my trusty Nikon FE2 typically loaded with ISO 400 film.
I guess it’s one of my own ways to make my days a little bit more analogue. It’s easier and more convenient for people to just use their phones and Instagram away photos of their delicious lunches and dinners, but I am just not content with that. I actually prefer taking photos of food in film; they just look so much better and I don’t have to edit them anymore to make them appetizing. So, whether I simply eat out on my own, get invited in parties, or dine in a fancy restaurant with my family or friends, I always bring my Nikon FE2 and a bunch of ISO 400 films with me.
Of course, I don’t always get good photos, but those that do turn out nice can really be nice. Come and take a look:
You can find more of my food in film snaps in this album.
It’s these results that keep me shooting food in film with every chance I get. I hope you find them as nice and appetizing as I do!
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.
Have a gander at our selection of lovely community-taken images with their trusty 355 camera loaded with the Lomography Color Negative 100. While you're at it, find out how you can earn piggies and have your own photos be featured on the Online Shop!
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
For some, it marked their first foray into the wonderful world of analog photography. Others consider it a trusty, go-to camera despite having a massive camera collection which sometimes include some of the best gear there is. Whatever the case may be, toy cameras will always hold a special place in the hearts (and shelves) of analog photographers everywhere, quirks and all.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
Very few of even the most intrepid travelers get to set sail to the Arctic and the Antarctic. A lomographer known to the Community as stouf, however, was able to set foot on both polar regions. While the rare opportunity to visit these uncommon destinations came in parcel with his profession, he did not forget to bring along his trusty cameras and favorite film to capture scenes from the expeditions.
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.
If we are to make literal interpretations of parallel universes, they would probably look something like these. Step into our gallery and while you're at it, find out how you can earn piggies and have your own photographs be featured on the Online Shop!
Ladies and gentlemen, it's no secret that without you, our website would never be possible. With that in mind, we're calling on all Lomographers (that's you) for a helping hand by giving us your expert opinions. In return, we're passing out Piggy Points to spend in our Online Shop. Kiwis, Aussies and Scandinavians, whether you're residents, dreamers or just big fans of these great places — everybody can contribute and everybody can win!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
As many of you would already know, shooting under low light conditions requires more than a steady grip (or a tripod) if you're aiming for outstanding results. You must also have the proper gear, and that, of course, includes film. In this post, we list down five fast films that work their best under such conditions.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Made in Heights is at it again. In May 2015, Alexei Saba Mohajerjasbi and Kelsey Bulkin released their album "Without My Enemy What Would I Do." This album tests the boundaries of genre by pulling from all forms of music to create a paradigm shift of preconceived notions.