I want to share my little happiness, I finally found the best distance for the macro lens "tunnelvison" after I spent a few film rolls in vain.
A little story.
My friend gave me, a macro tunnel vision lens. I tried to find the best distance for a macro tunnel vision lens. It’s really hard to find the best distance, I already asked so many people but almost all of them don’t know the best distance. So I already spent many roll films in vain.
Info: the best distance using a macro tunnel vision is exact 3cm. (if less/ more than 3cm, it will out of focus). I used a Lubitel 166+ in this experiment, focus is set at in 0.8m
Before this, all my experiments failed because I was wrong. I tried at 2cm, 5cm, 15cm with focus points on my LC-A camera and had made me desperate. When I tried my Lubitel camera with the tunnel vision lens, I’m very happy because I have a second roll with results.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
I want to share with you my experience with some slides when I was in Russia. I'm very sorry for them because I messed them up. They're just ruined and they'll never be the same! But hey, I have thousands of them, so I guess it's not a big deal after all.
In April of this year I had the chance to test the Petzval Lens and to write a review on it for the German photography forum Kwerfeldein. The lens excited me from the very beginning, at the time it was introduced on Kickstarter. I was afraid that once I had tested the lens, I would want to have one of my own! Well, that’s what happened; a year later, I finally bought my very own Petzval lens.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
A few days ago, I received from the Lomolab the scans of a roll that I used a couple of weeks ago when I documented a Yoga for Africa public demonstration in Cernobbio, a small town near the city of Como, using my Sprocket Rocket. In this article I'll explain to you the reason that led me to choose this camera. Read more after the jump!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
This month, after waiting for three years, my city Como hosted the Tour of Lombardy, an important event in the male elite road cycling tour. With my Fed 3 loaded with black and white film and equipped with ultra sharp Industar 50/3.5 lens, I documented the parade of cyclists who went to the starting line after they registered. Take a look after the jump!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
A couple of weeks ago, my family and I celebrated Hari Raya after a month of fasting during the holy month of Ramadan. Since the first day I laid my hands on the Lubitel 166+, I've always had the thought of taking portraits of my family. So this year, I finally took them. Here they are: Hari Raya Portraits!
Lomography Gallery Store Soho has all the workshops you could ever want this October. Learn the basics of the Diana F+, shoot autumn colours with the Lubitel 166+, make your own redscale film, shoot creepy portraits with the Petzval lens and visit our One Must Dash Pop up store. Read on for a full line- up of events and details.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!