People say that every film has its own colors. Even slide films. Even when X-PRO-ed, even when redscaled. So I’ve decided to give it a try with a new expired Sensia 200.
After redscaling somehow I’ve got to the situation when a standard LC-A+ film advancing mechanism wasn’t too strong to catch and to move forward the Sensia that was winded and vice-versa. So I’ve switched to an old Olympus that I’ve got as a present.
The results are not bad at least :) Just look at those saturated red through yellow colors. The film texture can be felt, but the grain is relatively low. Tried it at light and in daylight, and I liked them both :)
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
With a love of antique cameras and analogue photography, Shawn Lin has long been an active member of the Lomography Community with dozens of his shots being featured. Shawn likes to explore the effects of double exposure on different themes and objects, with an emphasis on the presentation of colours. Come take a look of his work of using Petzval Art Lens on his antique camera and his thoughts about the two!
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
Pixelstick is exactly the must-get tool to create mind-blowing light paintings with different colours and patterns: 1.8 meter long, 200 full colour and high fidelity LEDs! Grab your camera with long exposure mode and a tripod, and you can create dozens of dreamy pictures just by moving your Pixelstick in the dark. Take a peep at our friends from Lomography Hong Kong’s shots with the Pixelstick!
Its stunning tones, smooth grain, and overall elegant monochrome look have inspired fellow lomographers to pen odes of praise—well, reviews, actually. Find out how the Lomography Lady Grey 400 (35mm) fared right here.
Have a gander at these community-taken shots handpicked from the most popular bunch. While you're at it, find out how you can earn piggies and have your own Lomography Xpro Slide 200 photos be featured on the Online Shop!
As many of you would already know, shooting under low light conditions require more than a steady grip (or a tripod) if you're aiming for outstanding results. You must also have the proper gear, and that, of course, includes film. In this post, we list down five fast films that work their best under such conditions.