Black goes with anything, doesn't it? When it comes to pairing films with the new Belair X 6-12 Trailblazer, while any b&w film goes, we've come up with a tried and tested list of films to ensure a rockin' and a rollin' experience.
In light (and in darkness) of our brand new special edition Belair X 6-12 Trailblazer we’ve compiled some top “paint it, black” Belair photos. Included are the exact films used so that you may ink your photos in the color that never goes old and out of style with your new Belair X 6-12 Trailblazer in its black leather outfit.
I see photos and I want them painted black
I see films and I want them painted black
All the featured films are available in our Online Shop:
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
Since Lomography launched its new Petzval 58 Bokeh Control Art Lens project on Kickstarter, we've been seeing a variety of pictures, from images of snow monkeys in Japan to behind-the-scenes shots of New York Fashion Week. Many of these pictures were shot with digital cameras, but we've yet to see how the Petzval 58 performs on an analog Canon Rebel camera loaded with black and white, and x-pro film. Join us on a trip through the heart of New York's Chinatown during the Lunar New Year Parade.
The latest addition to the Lomo’Instant family! Inspired by the Icelandic midnight sky, Get endless creativity, take multiple exposed instant snapshots, experiment with long exposure and light painting shots!
This article is a tribute to the great Portuguese film director Manoel de Oliveira, who died last April 2. With an old Praktica loaded with a roll of black and white film, I captured so enthusiastically his city Oporto (Porto) with its famous Ribeira district, the most characteristic of the Lusitanian town. It was here that more than 70 years ago, Manoel De Oliveira created a timeless masterpiece: "Aniki-Bòbò"!
Architectural photographer Christopher Payne documents America’s industrial heritage with his large format images. For his project "Asylum," he visited 70 abandoned psychiatric hospitals across to country between 2002 and 2008.
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.