Perfect Combination: Fisheye No. 2 and Fuji Velvia 100F

5

Compared to most full-featured analog cameras, the Lomography Fisheye No. 2 shows that its limitations are its most artistic attributes. With the Fisheye No. 2, I don't have to think what ASA/shutter/aperture I need to get that unique xpro look. I can get those rich saturated colors with the fixed settings of the Fisheye 2. Combined with an xpro-d Fuji Velvia 100F, the result of orangey, dark blue and violet tones make a wonderfully artistic and unique image.

My Lomography Fisheye No. 2 was my first analog/lomography camera and it is my most favorite camera in my arsenal. Of course, I love the Lomography Fisheye No. 2 because of its unique fisheye lens. Having a fixed plastic fisheye lens makes the camera fun and challenging at the same time because I am forced to make more creative shots with the fisheye perspective versus a gang of bokeh-loving, zone-focusing, aperture-selecting, shutter speed-changing, ASA-choosing, sharp-looking, wide-angling, vignetting cameras. Thankfully, Lomography has provided theLomography Fisheye No. 2 with the advantage of easy double exposure with an MX switch.

The Lomography Fisheye No. 2 is rated with an official f/8 aperture (but feels more like f/16) and a 1/100 shutter speed. This means that this is a sunlight-lovin’ camera that even at sunny weather, can make cross-processed film look underexposed. I also recently learned that fisheye lenses have a unique distortion (other than the curving) effect that makes the outer curves a bit darker. Since slide films have a unique effect of having color shifts when underexposed and the outer curves of the fisheye lens gets darker, the result is something like this:

Credits: meatoyz1

Compared to most full-featured analog cameras, the Fisheye No. 2 shows that its limitations are its most artistic attributes. With the Lomography Fisheye No. 2, I don’t have to think what ASA/shutter/aperture I need to get that unique xpro look. I can get those rich saturated colors with the fixed settings of the Lomography Fisheye No. 2. Combined with an xpro’d Fuji Velvia 100f, the result of orangey, dark blue and violet tones make a wonderfully artistic and unique image.

Here are some more examples:

Photos were taken at a very sunny 3pm

This combination is still doable during an overcast day but it turns a bit red-orange than usual and loses the violet and dark blue tones due to the absence of the sky. Here are some photos I took in Bangkok:

Credits: meatoyz1

The drawbacks of this combination is that you really need a sunny or at the least, slightly overcast day and that Fuji Velvia 100F has very high contrast that shadows turn out really dark.

Still, you can use that high shadow contrast as an advantage for double exposures!

Credits: meatoyz1

Bonus:

The Fisheye no.2 also works great with the Kodak Elitechrome 100 or any slide film that color shifts when slightly underexposed.

Here are some bonus shots:

Credits: meatoyz1

Remember: The unique features and limitations of your camera, or any other camera thereof are its most artistic attribute.

Happy Shooting!

Fisheye No. 2 has a 170-degree wide angle view and stunning barrel distortion. Now with a hotshoe and multiple and long exposure capabilities, the world’s greatest compact Fisheye camera is now more amazing than you ever thought possible! Available in different colours and special designs.

written by meatoyz1 on 2013-02-12 in #lifestyle #doubleexposure #fujivelvia #combination #cross-processed #fisheye #analoglifestyle #mx #velvia100f #fisheye2 #xpro

5 Comments

  1. hxloon
    hxloon ·

    Nice big, bold-coloured pictures! Love the phrase: The unique features and limitations of your camera, or any other camera thereof are its most artistic attribute. Will keep that in mind ;-)

  2. meatoyz1
    meatoyz1 ·

    thanks! :)

  3. larrymcdowell
    larrymcdowell ·

    nice pics and very good article. I'll try the Fuji Velvia 100F film with my fisheye!

  4. daisymae
    daisymae ·

    Wish I could get my Fisheye shutter to fire :( Film is wound as far as it'll go, on N setting, tried using MX to force shutter to fire. Reluctant to take the back off to have a look at what's going on as I've got some Provia 400X in there (expensive) and the only pic taken so far is of my friend's month old baby - don't want to lose the pic through exposing the film. Any ideas?

  5. lordlarry
    lordlarry ·

    I always use my fisheye2 whenever I travel. Love them too with sensia and ektachrome ;)

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