Hungry Eye is a quarterly film and photography magazine that covers everything from black-and-white analogue stills and eye-popping music videos, to short films made on a shoestring budget and full-length movies shot with the latest technology. Hungry Eye is offering a year's subscription to the magazine plus the Hungry Eye Guide to Music book which hasn't been released yet. Oh, and we're throwing in a LomoKino too! Grab your chance to win here.
Imagine an alien space mission from a planet of the Sirius Star System to an abandoned industrial zone of Como, a city situated in the North of Italy. The alien photographer named sirio174, used a powerful futuristic camera, called Lomo Lubitel 166U loaded with a Kodak Portra film roll. Yes, no digital, because the future is...analogue! During his journey, he learned the most common language of our planet -- English -- and he wrote this article for us. Read more after the jump!
While it might sound unusual for some right off the bat, black and white film photographers do use color filters to experiment with their shots without ever needing to do some post-processing. How to do that and which filters to use to capture specific scenes? Take a look at this short instructional YouTube video clip by LZ Film Productions!
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
As the mother of all modern wide-angle lenses, the New Russar+ Lens shoots sharp wide-angle photos bursting with character. The solid yet compact ultra-wide 20mm lens can be used to photograph practically anything, and is compatible with a variety of film and digital cameras. Certainly this is a lens that delivers, but like anything, you can reap its full potential by choosing ideal subjects and shooting from a creative perspective.
The New Lomography Petzval Lens is, without a doubt, a striking innovation that has impressed analogue and digital shooters alike. The Petzval works seamlessly with both platforms, producing exceptional and oftentimes dreamy, bokeh-rich images. There are, however, photographers who prefer to shoot analogue and are oblivious to the lure of digital imagery. Here are a few photographers who have chosen film as their go-to medium, and and the Petzval as their ally.
Someday, getting rid of unwanted memories will be as easy as popping a pill and waiting a few hours for the desired effect to kick in. Literally a bitter pill to swallow (you'd think that with all the advancements in science then, they would've already made, say, fruit-flavored ones like the vitamins you loved as a kid), sure, but effective nonetheless.
Behind the amusing username, alienmeatsack, is the avid lomographer Robn Kester. He takes on the analogue world with his radical film and camera experiments that serve as useful guides to his fellow film shooters. His dedication to be a better analogue photographer certainly knows no bounds and that's why we are crowning him as our LomoGuru of the Week!
I made a short comparison between the "legendary" Kodak EIR Infrared film and the new LomoChrome Purple XR 100-400. Both pictures were made with the same camera-objective-combi: A Canon AE-1 Program with a 24mm wide-angle lens.
Adam Bronkhorst is a Brighton-based photographer who focuses on people and portraiture. He teaches all kinds of photography through different means – using a DSLR, studio lighting and even film cameras. His portfolio of work is so stunning, we decided to crown him as one of our Petzval Artists. We let him test the new Petzval lens to its full potential and the results are just beautiful.