It is s pity that summer is so short , and I have to wait next summer, for the next underwater adventures!
This summer I manage to purchase this small babe: Ufo Nemo. It is a plastic film camera with a wide 28mm lens, which can also shoot under the water. It’s shutter is fixed at 1\125 and aperture at f/ 8, and works with 1 AA battery, which is needed to work the flash!
A flash turns on and off manually but not automatically, that makes me happy. Due to the plastic lens it gives a strong distortion and vignettes the edges of the shot. It also gives bright and contrasting colours.
For shooting under the water this small camera is inserted in the plastic housing. Here you have to be very attentive, and close the box densely, otherwise the water can leak in it. Generally speaking when I’ve got it, we run at the seaside to test it. In fact underwater pictures make an amazing impression – you can do everything what you want! From the first shot it was clear, that a view-finder is useless under water!
And the film you should choose should be with more high ISO. I like this baby very much, it took the worthy place in my collection of Lomo cams.It is s pity that summer is so short , and I have to wait next summer, for the next underwater adventures!
Where are you headed to this summer? Where I'm from summer has ended too soon, so I'm still daydreaming of sand and seafoam. I decided to check out the archives for some cool beach-y snapshots and came across a lot of interesting underwater photos! Check out my finds after the jump; hopefully this list will inspire you to grab a Fisheye Sub or a Krab, along with your Fisheye cameras and LC-A+, for some underwater adventure.
Every summer, my soul screams for a lazy, hot day back at my parents' home, for some good food, relaxation, and catching up with childhood friends. This year is no different, so I went back down to my small hometown in the very northeast of Belgium to enjoy a perfect laid back day doing nothing and everything. And of course, I brought my analogue cameras along to eternalize all of these small but grand moments in life.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
Every year I get the winter blues. I start imagining the feel of the sunrays, ice cold beer after a long summer day, and the endless hours spent on the beach. I have captured moments, memories, and dreams this year, which is my favorite thing to do. This is a short version and visual diary of my year 2014.
This is a story of me and Sardine, my first ever analogue camera. We've been traveling for thousands of miles and met a lot of friends. Even though I have better cameras, Sardine is the one camera that will always be in my heart! So once again, this is my story with Sardine