My Alma mater has changed plenty since my graduation in 1997. Here is an lca take 12 years after.
I graduated in the University of the Philippines in 1997. It was a time when the country is struggling against the Asian financial crisis. When I went back in 2009, the country is still struggling, this time with the Global financial crisis. Yet it is nice to know that some things do change, and some things change.
Let us start with the things that changed. Well mostly physical. Like the carillon is now newly refurbished. There were plenty of buildings that have undergone newer paint jobs, like the College of Business and Administration. The lawns were more manicured. The academic oval is now one way on weekends to accommodate joggers. Its a nice feeling to go back and see that things have changed. Somehow.
So what did change? I would have to say that the overall feel of the university did not. It still feels like it is a good place to study. It still feels like a good place to germinate ideas. It still feels like a good place to start thinking about serving the people. The air feels the same, most of the buildings are still the same and there seems to be a feeling that there are more things that would be in store after graduation.
And I think that is the feeling of gladness that I will take home when I left. That while the physical stuff changed, improved (or not). The ideals of the university of the people, and for the people continues to live on. With the new batch of graduates, and with its alumni
A couple of weeks ago, my family and I celebrated Hari Raya after a month of fasting during the holy month of Ramadan. Since the first day I laid my hands on the Lubitel 166+, I've always had the thought of taking portraits of my family. So this year, I finally took them. Here they are: Hari Raya Portraits!
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
This is a tribute to Juergen Teller, a great fashion photographer who continues to work with analogue cameras. In the 1990s he radically changed the way to make fashion photography. His models appear "soap and water", without heavy make-up, and his images seem taken like an amateur photographer. Between his nice works, there is a photos that I like so much, taken in Cuba and called "The Girl with the Broken Nose." Take a look after the jump!
Hello, fellow lomographers! To be honest, ever since I started working last year, I haven't been able to write a single analogue lifestyle piece. But today I decided to write something about my days, especially about my weekend in Bandung. It's not much but I take it as the start of a new beginning in writing all over again here. So, here's my weekend in Bandung!
I’m lucky enough and old enough to have grown up in an era where film was the only form of photography available. I’ve always had a passion for film but it was a certain series of images that inspired me and changed my idea of photography forever. Find out what that was after the jump.
This is a tribute to a founding father of photography, the American photographer Paul Strand. In 1955, he released a book about Luzzara, a small town in central Italy, in collaboration with the famous neo-realist screenwriter Cesare Zavattini. To pay homage to this great artist, this summer I personally went to Luzzara to take a series of photos that shows the changes in this little town 60 years after the work of Strand was published.
This month, after waiting for three years, my city Como hosted the Tour of Lombardy, an important event in the male elite road cycling tour. With my Fed 3 loaded with black and white film and equipped with ultra sharp Industar 50/3.5 lens, I documented the parade of cyclists who went to the starting line after they registered. Take a look after the jump!
I went to the Victoria & Albert Museum's Friday Late, an event that takes place every last Friday evening of the month. For March 2014, the London borough of Tottenham was invited to curate an evening of creativity. There were a number of events that went on ranging from music and art to fashion and film. Accompanied by my LC-A+ and Fisheye No. 2, here are my highlights of that evening in photographs.
In celebration of the 30th anniversary of the fantastic Lomo LC-A, and while waiting for the new Russar+ lens, I'll dedicate this article to an awesome super wide-angle camera: my Lomo LC-Wide that I like to use in architecture photography. Here you can read some simple tips I used to take a series of photos in the modern city of Latina in the center of Italy.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
I prefer being outdoors whenever I go on a vacation at the seaside. For this reason, I always choose to stay at a campsite instead of a hotel. This year, I stayed at a beautiful one in the south of Italy. Here is a series of photos which I received a few days ago from the excellent LomoLab service, taken with my Sprocket Rocket. Have a look after the jump!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!