This is my second trial using this legendary film that is "Kodak Elite Chrome Extra Color" (EBX)
My first trial using this film was also a failure. It comes out too bright which means overexposed. That time i used Russian FED 5 and i set the ISO 100 (Original from box) and most of my shots came out overexposed, but some of them are good enough. These are some of the examples of my first trial:
And this are considered good shot (I think):
Then my second trial I shot it rated as ISO 200 because I’ve read that EBX needs to be underexposed a bit due to the overexposing rate is high. It became worse than before. I have tried using the same rate and shot it indoors but it still the same. I’m using Nikon F65 AF SLR. Here some shots of that:
Dear friends, please help me. I’m already afraid using every slide film….
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
This article is the first one that I want to dedicate to the Expo 2015. A month ago, my city Como hosted a night spectacular preceding the opening of the Universal Exposition in Milan. With my Praktica and color film, I documented this joyful, artistic event.
Film has soul, that second layer of grain and haze. It is a time capsule if we're sentimental, a happy pill if nostalgic. But what if we exaggerate this time-worn look? Imperfection becomes a creative element.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
If you've ever used the Lomo'Instant camera, you know that the Fujifilm Instax Mini film ensures amazing and sharp results with vivid colors and natural skin tones. And although we love it the way it is, we also love to experiment. This time we ventured out with monochrome on our minds and got some pretty crazy results — check it out!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Sometime between 6,000 and 10,000 years ago, a boy in northern Afghanistan was born with a gene mutation that hindered his eyes from producing melanin and thus from turning brown. He had blue eyes. If you see someone with blue eyes today, he is a descendant of this unlucky fellow. I am one of those weird folks and apart from feeling like a mutant and being Angelina Jolie’s secret sister, I am sensitive to light like an ISO 6,400 film.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.