This is my second trial using this legendary film that is "Kodak Elite Chrome Extra Color" (EBX)
My first trial using this film was also a failure. It comes out too bright which means overexposed. That time i used Russian FED 5 and i set the ISO 100 (Original from box) and most of my shots came out overexposed, but some of them are good enough. These are some of the examples of my first trial:
And this are considered good shot (I think):
Then my second trial I shot it rated as ISO 200 because I’ve read that EBX needs to be underexposed a bit due to the overexposing rate is high. It became worse than before. I have tried using the same rate and shot it indoors but it still the same. I’m using Nikon F65 AF SLR. Here some shots of that:
Dear friends, please help me. I’m already afraid using every slide film….
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Hungry Eye is a quarterly film and photography magazine that covers everything from black-and-white analogue stills and eye-popping music videos, to short films made on a shoestring budget and full-length movies shot with the latest technology. Hungry Eye is offering a year's subscription to the magazine plus the Hungry Eye Guide to Music book which hasn't been released yet. Oh, and we're throwing in a LomoKino too! Grab your chance to win here.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Every year my city Como hosts, for the Easter period, a great fun fair. This is a great occasion to test a camera, to make experiments with films, to have fun and to photograph people while also having fun! This year, I used my gem, the wonderful Horizon Perfekt (that I bought from the Lomography Online Shop) loaded with a timeless film, a Kodak Tri-X 400 developed, as usually for b/w, by myself. Read more after the jump!
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
You’ve shouted your analogue love from the rooftops and worn your heart on your sleeve – Now it’s time to take it to the next level and wear it on your skin! Our new Lomography Tattoos are fun, easy to apply and come in five designs.
While it might sound unusual for some right off the bat, black and white film photographers do use color filters to experiment with their shots without ever needing to do some post-processing. How to do that and which filters to use to capture specific scenes? Take a look at this short instructional YouTube video clip by LZ Film Productions!
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.