This is my second trial using this legendary film that is "Kodak Elite Chrome Extra Color" (EBX)
My first trial using this film was also a failure. It comes out too bright which means overexposed. That time i used Russian FED 5 and i set the ISO 100 (Original from box) and most of my shots came out overexposed, but some of them are good enough. These are some of the examples of my first trial:
And this are considered good shot (I think):
Then my second trial I shot it rated as ISO 200 because I’ve read that EBX needs to be underexposed a bit due to the overexposing rate is high. It became worse than before. I have tried using the same rate and shot it indoors but it still the same. I’m using Nikon F65 AF SLR. Here some shots of that:
Dear friends, please help me. I’m already afraid using every slide film….
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
This article is the first one that I want to dedicate to the Expo 2015. A month ago, my city Como hosted a night spectacular preceding the opening of the Universal Exposition in Milan. With my Praktica and color film, I documented this joyful, artistic event.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
If you've ever used the Lomo'Instant camera, you know that the Fujifilm Instax Mini film ensures amazing and sharp results with vivid colors and natural skin tones. And although we love it the way it is, we also love to experiment. This time we ventured out with monochrome on our minds and got some pretty crazy results — check it out!
Film has soul, that second layer of grain and haze. It is a time capsule if we're sentimental, a happy pill if nostalgic. But what if we exaggerate this time-worn look? Imperfection becomes a creative element.
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
Sometime between 6,000 and 10,000 years ago, a boy in northern Afghanistan was born with a gene mutation that hindered his eyes from producing melanin and thus from turning brown. He had blue eyes. If you see someone with blue eyes today, he is a descendant of this unlucky fellow. I am one of those weird folks and apart from feeling like a mutant and being Angelina Jolie’s secret sister, I am sensitive to light like an ISO 6,400 film.
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.