In my early days of using this film, I rarely get good results because I didn't know how to treat it. I didn't know how to tame it, so the result is so grainy and unsatisfying. So now I will give a quick tips how to use your Lomography X-pro!
1. Play with The ISO setting!
Since this is a ISO 200 film, you have to play with ISO! Push it to 400 if you shooting something bright or perhaps to 800 if you think your object is too bright. Set the ISO to 200 if you shooting indoor without using flash.
2. Use Color Flash!
This is an unfair tip but this is for your own good. Try yellow filter flash to really maximize this film! Because this film yields yellow results. I think this film really loves yellow even that yellow could turn into orange or greenish!
3. Use it outdoor!
Obvious tip! Your Lomography X-pro 200 loves the sun but don’t shoot the sun directly because it will overexpose your shot. Take it and shoot some outdoor activity! The film loves outdoor!
These are some basic quickie tips! For more information you check this article
The new Lomography X-Pro Slide 35mm film is made from the original Agfa RSX 200 emulsion. If you want whacked out colours, huge contrast, and insane saturation, this film is for you. See our selection of Lomography films here.
Any day becomes instantly better whenever someone hands you a film camera because they know you’ll put it to good use. So you can just imagine how giddy I was when a friend handed me a Konica POP EF-7 just last week.
This month, I'll be teaching you how to use different techniques to add effects to your photos. BE patient enough and follow these quick tips to find out how I manipulated my film to achieve reddish tones in my photos.
Roll up your sleeves and prepare to get your hands dirty because Lomography has teamed up with super cool indie-pop electro band We Were Evergreen to give away 2 tickets to their London Scala show on May 15th and a Pop9 camera. You're just a few clicks away from finding out how to participate.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
If you are looking for a panoramic camera to document your adventures on the beach, you should try the Sprocket Rocket. It's easy to use, cheap, and can get you amazing results! In this article, you can see how I used this camera to document a short vacation in Liguria, from Varazze to Alassio. Take a look after the jump!
With the holidays just around the corner, now is the time to stockpile all your favorite films! That's we're giving you yet another opportunity to do so with our super Advent deal on all our films today. Whether you're looking to get wild colors and huge contrast with our X-Pro film, or want to create slick cinematic classics with Lomography Cine400 Tungsten, we've got just the film for you!
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Back in the 1990s, Gilbert Blecken was a big music fan and wrote for his own small music fanzine. He would interview bands in between sound checks and take photographs of them. He was never a professional photographer or worked for a company; he simply did it for his fanzine. Twenty years on, Gilbert’s photographs have matured into an amazing documentation of some of the biggest music icons of that era. We caught up with Gilbert to ask him about these photographs and the fascinating story behind them.